%; ak ¢ ‘ * 
Rare Views 
nf 


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~ 


Bey 


NO. 224g 
Che Neill Collection 


Rare Hiews of New Yark City 


FROM ITS 


Foundation to the Uresent Gime 


—— 


CoMPRISING COLORED AQUATINTS BY WALL AND HILL, CATHER- 
WOOD AND PAPPRILL, ROBERT HAVELL, AND OTHER ARTISTS 
OF THE EARLY PART OF THE 19TH CENTURY; THE 
SECOND AND THIRD ENGRAVED VIEWS OF NEW YORK 
FROM MONTANUS AND OTHER EARLY SOURCES; 

THe CoMPLETE PoprLe’s Map or AMER- 

ICA, 1733, WITH THE VIEW OF NEw YorK; 

COMPLETE SETS oF BouRNE’s VIEWS, 

DAvis AND ImBERtT’s LITHOGRAPHS 
AND MILBEerRT’s LITHOGRAPHS; 


ORIGINAL Drawines By A. J. DAvis For BUILDINGS ERECTED 
BY HIM; Views OF NEw YORK FROM THE COLUMBIAN 
MaGazIngE; Earty New Yorx _ BvsINEsS 
ESTABLISHMENTS AND NotTep BUILDINGS. 


TO BE SOLD 
MARCH 22 AND 23, 1910 


TUESDAY EVENING, - - Lots 1—220 
WEDNESDAY EVENING, - - “221 —433 


SALES BEGIN AT 8.15 O’CLOCK 


On EXHIBITION FROM THURSDAY, MArcH 17, 10 a.m. TO 5.30 P.M. 


Ghe Anderson Aurtion Company 


12 East 46TH STREET, 
New YORK. 


TELEPHONE, 120 Murray HItt. 


ART AND MISCELLANEOUS 


Conditions of Sale 


1. All bids to be PER LOT as numbered in the Catalogue. 


2. The highest bidder to be the buyer; in all cases of disputed 
bids the lot shall be resold, but the Auctioneer will use his judg- 
ment as to the good faith of all claims and his decision shall be 
final. He also reserves the right to reject any fractional or nominal 
bid which in his judgment may delay or injuriously affect the sale. 


3. Buyers to give their names and addresses and to make such 
cash payments on account as may be required, in default of which 
the lots purchased to be immediately resold. 


4. The lots to be taken away at the buyer’s expense and risk 
within twenty-four hours from the conclusion of the sale, and the 
remainder of the purchase money to be absolutely paid on or before 
delivery, in default of which the Anderson Auction Company will 
not be responsible if the lot or lots be lost, stolen, damaged, or 
destroyed, but they will be left at the sole risk of the purchaser, 
and subject to storage charges. 


5. To prevent inaccuracy in delivery, and inconvenience in the 


settlement of purchases, no lot will be delivered during the sale. 


6. All lots will be exposed for public exhibition two or more days 
before the date of sale, for examination by intending purchasers, 
and the Anderson Auction Company will not be responsible for the 
correctness of the description, authenticity, genuineness, or for any 
defect or fault in or concerning any lot, and make no warranty 
whatever, but will sell each lot exactly as it is, without recourse. 
But upon receiving before the date of sale expert opinion in writing 
that any lot is not as represented, the Anderson Auction Company 
will use every effort to furnish proof to the contrary, and in default 
of such proof the lot will be sold subject to the declaration of the 


aforesaid expert, he being liable to the owner or owners thereof for 


damage or injury occasioned by such declaration. 


7. TERMS CASH. Upon failure to comply with the above con- 
ditions any sum deposited as part payment shall be forfeited, and 
all such lots as remain uncleared after twenty-four hours from the 
conclusion of the sale will be re-sold by either private or public 
sale at such time as the Anderson Auction Company shall deter- 
mine, without further notice, and if any deficiency arises from such 
re-sale it shall be made good by the defaulter at this sale, together 
with all the expenses incurred thereby. This condition shall be 


without prejudice to the right of the Anderson Auction Company to — 


enforce the contract with the buyer, without such re-sale, | 


8. The Anderson Auction Company will afford every facility for 
the employment of carriers and packers by the purchasers, but will 
not be responsible for any damage arising from the acts of such 
carriers and packers. ; 


Priced Copy of this Catalogue may be secured for $1.00. 


No. 824-1910 


Che Neill Callertinn 


nf 


Rare Hiems of New York City 


1. AMERICAN HOTEL, No. 229 Broadway, opposite the 

‘Park. Blake and Boardman. Colored lithograph by Imbert 

n. d. (1827). At the bottom of the print is written in old 

writing “Architecture by Davis, figures by Canova.” The draw- 

oo Ing is probably one of the earliest works of A. J. Davis. 4to. 
VERY FINE ORIGINAL IMPRESSION. RARE. 


The view shows the south corner of Barclay street with 
part of the Lydig mansion, now covered by the Astor 
House. Above the American Hotel is the residence of John 
MeVicar (No. 231), and Philip Hone’s House (No. 235). 


2 ARCHITECTURAL NEW YORK. ‘Twelve large size 
photographs of entrances to buildings in New York of Archi- 
tectural importance. Mounted on card. 


38. ASTOR HOUSE. Design made for Astor’s Hotel, by I. 
Town)and A. J. Davis, arehitects. Elevation and ground plan 
_on ope S 18 tching by Stodart and Currier. 
h an proposed was not the one accepted. On the 
reverse are plans of the basement and upper floors. 


4. ASTORIA. Ravenswood, Long Island, near Hallett’s 
Cove. Architecture by Alex. J. Davis. M. Swett, .del. N. Cur- 
riers Litho., N. Y. Long 4to, length, 49 in. is 


A lithograph to show the proposed laying out of the 
grounds. The river is bordered by a-railed promenade; 
behind this lie the buildings, each in its own grounds. No 
date, but probably about 1836. VeERyY RARE. 


6. BARNUM’S MUSEUM. Winter scene in Broadway in 
front of Barnum’s Museum, the roadway filled with sleighs, 
coaches on runners, etc. FINELY COLORED. Drawn by D. 
Benecke, 1855. Large folio. 

3 


7. BARNUMWS-MUSEUM. Poster, engraved by Waters and 

Son, undated, but probably about 1865. Slightly damaged at the 
corners. Larg LO] Lomemnns 

etentyé is a view. gt the Museum, surrounded by many 

aa representations of the ‘Giants, Dwarfs, and Curiosities on 

a ~exhibi ‘Portraits of Jenny Lind and Barnum occupy 

5% eahibiiton— places, and a small view of East Bridgeport, 
al Conn., is included. 


peas: Burning of Barnum’s Museum, July 13, 1866. 
LITHOGRAPH IN coLors. Inlaid. 4to. 


9. BATTERY AND HARBOUR. A View of the Battery 
and Harbour of New York and the Ambuscade Frigate. S. Hill, 
se. Boston. J. Drayton, Delin. Copper engraving. 8vo. 

n. d. (ca. 1793.) 

Rare. A curious view. The Battery is a row of small 
guns ranged round the sea-front without defences. In 
the center is a tall signal tower or lighthouse. A tree 
in the right corner has a wooden seat round it on which 
people are sitting. The frigate “L’Ambuscade” is at the 
e of the East River. This ship was the frigate 

rried ‘Citizen’ Genest to America, and after land- 

im at Charleston, S. C., came north to New York 
g British shipping on the way. While at New 
' a British war vessel anchored off Sandy Hook and 
challenged the French ship. A combat took place in which 
the French were victorious, the English captain being 
killed. 


10. BATTERY. View of New York, from Governor’s ‘Island, 
drawn by Julius Kummer, and engraved by John Poppel. Obl. 
8vo, with mat, lower blank margin slightly defaced. VeEry 
RARE. : 


11. BAY OF NEW YORK. Drawn from Nature by Bornet. 
Drawn on stone by E. Valois. Printed by D. McLellan, 1851. 
Long folio. Framed and glazed. 


VERY RARE and believed to be the onty copy. The litho- 
a graph shows Castle Garden with the bridge and extends 


along the promenade to the Staten Island Ferry House. 
All Nations are represented in the many figures on the 
Promenade, and among the shipping in the Bay is the 
famous Collins’ Line steamer “Baltic,” and the French 
War Steamer “Mogadore.” 


12. Upper and Lower Bay of New York, from the Bat- 
tery looking Southwest. CoLorep. 4to. 
N. Y.: Currier and Ives, n. d. 


138. —— Various engravings of the Bay and Harbour, in- 
_ cluding “Embrasement du Vaisseau Anglois le Nord Cumber- 
“ land prés de New York (old etching) ; New York after Alex. 
Robertson (engraved in miniature by Hood) ; New York from 
Bedlow’s Island; The Bay and Narrows by Leney; etc. Over 

70 pieces, 


A FEW OF THE VIEWS IN THIS LOT ARE OF EXCEPTIONAL 
RARITY. 


4 


% 


IRD’S-EYE V, WS OF NEW YORK CITY. Music 
Sek /Vhe Carri ove,’ sung by Miss Watson at Niblo’s Gar- 


Cte taining a ‘ie lithograph bird’s-eye view of New York 
| City~ ca. 1830 
. En- 


graved by 8. Weekes. Published and sold by Robert Sears, N. Y. 
1848. Woodeut. Long 4to measuring 40 in. in length. Mounted 


on ecard and varnished. 
A bird’s-eye view from Wall Street looking up town 
RARE. 


16. NEW YORK. Painted by Heine, J. Kummer and 
Dopler. Engraved by Himely. Publshed by Goupil and Co., 
1851. Line engraving. Very large folio. Framed. 


Scarce. A bDird’s-eye view showing the whole of the 
City, parts of Brooklyn, New Jersey, and a large stretch 
of country beyond. It will be noticed that there are mostly 
fields in New Zork City above 34th St: 


1. Urry. OF NEW YORK, drawn by C. Parsons. 
Published 1856. A VERY FINE COLORED ORIGINAL, with mar- 


gins. Large folio. 


A bird’s-eye view from a little south of Battery Park 
showing the whole of the City to Spuyten Duyvil, the 
Hudson and East Rivers, and the banks on both sides. The 
lines of streets and buildings exceptionally clearly drawn, 
the more important edifices standing out markedly. Sev- 
eral of the famous old Sound Steamers are seen in the 
foreground. The coloring done with much care. EXcCEED- 
INGLY RARE. 


Light N. EY EW OF NEW YORK AND 
7 BROOK rom ee Navn and on stone by J. Bach- 


hed by J. Bachman. 1856. Tinted. Large folio. 


A SCARCE VIEW. 


Published by C. MHeerbrandt 
Bay: Folio lithograph. Bird’s-eye view of New York City 
and Environs in centre, surrounded by eighteen smaller views of 
prominent buildings, including Booth’s Theatre (23rd St.), Old 
Herald Building, ete. 


20. BIRD’S-EYE VIEW OF NEW YORK AND EN- 
VIRONS. J. Bachmann, del. Published by Kimmel & Forster, 
N. Y. 1865. Folio, with large margins. CoLoRED. 


21. —— VIEW OF NEW YORK. John Bachmann, del. 
1877. LARGE FOLIO COLORED LITHOGRAPH. A bird’s-eye view. 


22. NEW YORK FROM BROOKLYN. Bird’s-eye 
view, showing the whole city of New York, Brooklyn around the 
Navy Yard and a large extent of country beyond. Process print. 
No date or printer. 


Blackwell’s Island Bridge as well as Brooklyn Bridge 
is shown, but the drawing was evidently made before the 
former was built. 


5 


23. BIRD’S-EYE VIEWS OF NEW YORK CITY. ° En- 
eravings by Kimmel and Foster (rare India Proof), Chas. 
Magnus, etc. (8) 


24. BOSTON. Pencil sketch by A. J. Davis (unsigned). 
“Going into Boston Harbor.” Oblong 16mo. 


25. BOTANIC GARDEN, ELGIN. View of the Botanic 
Garden at Elgin in the vicinity of New York. Engraved by 
Leney. L. Simond, delt. 8vo. 


The Elgin Botanic Garden covered the block included 
between 47th and 5l1st Sts. and Fifth and Sixth Aves., com- 
prising about twenty acres. The site was purchased in 
1801 by Dr. Hosack who established the Garden that Dr. 
Francis refers to in his “Old New York.” In 1814 it was 
bought by the state and given to Columbia College as an 
endowment, 


26. —— Another view of the same by Leney after Reinagle. 
8vo. 


27. BOURNE’S VIEWS OF NEW YORK CITY. Sheet 1. 
City Hotel, Broadway; and Grace and Trinity Churches. 


This and the following twenty-one lots comprise a com- 
plete set of these very rare views. All—with the exception 
of those specified, are from drawings by C. Burton, the 

, originals of which are now in the New York Historical 
Society. The engravers included James Smillie, H. Fos- 
sette, Archer, Gimber, and Hatch and Smillie, the first 
mentioned executing the largest number. With the ex- 
ception of New York from Weehawk, they were issued two 
on a sheet, and usually when met with have been divided 
by former owners. This set is in the condition as issued 
and SOME ARE INDIA PROOFS. EXTREMELY RARE IN THIS 
STATE. The average size is 2344x3% in. New York from 
Weehawk measures 3% x5% in. Issued in 1831. [No. 42.] 


28. Sheet 2. Bowling Green; and Landing Place, foot 
of Courtlandt St. On INDIA PAPER. 


29. Sheet 3. Masonic Hall, Broadway; and Landing 
Place foot of Barclay St. On INDIA PAPER. 


30. 
way (the second drawn and engraved by J. Smillie). 


31. Sheet 5. Mansion House (Bunker’s), Broadway; 
and Steam Boat Wharf, Battery Place. On INDIA PAPER. 


32.—— Sheet 6. St. Thomas’ Church, Broadway; and Park 
Theatre and part of Park Row. 


tat Sheet 7. Bowery Theatre; and Washington Hotel, 
Broadway. On InpDIA PAPER. (Small ink spot on second.) 


34. 


drawn and engraved by James Smillie.) 
6 


Sheet 4. Park Place, and American Hotel, bene 


Sheet 8. Junction of Broadway and the Bowery; 
and Bay and Harbour of New York. On INDIA PAPER. (Both 


35. BOURNE’S VIEWS. Sheet 9. Council Chamber, City 
Hall; and Public Room, Merchant’s Exchange. On INDIA PAPER. 


36. Sheet 10. St. Paul’s Church; and Merchant’s Ex- 
change, Wall St. On INDIA PAPER. 


37. Sheet 11. Phenix Bank, Wall St.; and United 
States Branch Bank. On INDIA PAPER. 


38. Sheet 12. Brooklyn Ferry, Fulton St.; and Steam 
Boat Wharf, Whitehall St. On INDIA PAPER. 


oo, Sheet 13. Custom House, Wall St.; and Unitarian 
Church, Mercer St. On INDIA PAPER. 


40. Sheet 14. St. George’s Church, Beekman St.; and 
Clinton Hall. On InpIA PAPER. 


41. Sheet 15. Church of the Ascension, Canal St.; and 
Exchange Place. On INDIA PAPER. 


42. Sheet 16. New York from Weehawk. Painted by 
W. G. Wall. Engraved by J. Smillie. On InpIA PAPER. 


43. Sheet 17. St. Luke’s.Church, Hudson St.; and The 
Reservoir, Bowery. On INDIA PAPER. 


44, Sheet 18. St. Patrick’s Cathedral, Mott St.; and 
St. Peter’s Church, Barclay St. On INDIA PAPER. 


45. Sheet 19. Protestant Dutch Reformed Church, 
Broome St.; and Freestone Meeting, Bleeker St. (Facsimiles.) 


46. Barclay and Fulton St. (Not issued as part of the my», ce 
series but as supplementary. ) : 


47. —— Franklin Market, Old Slip. (Also a supplementary , , 
plate. ) 
48. Broadway near Franklin St. Showing Bourne’s 


place of business. 


49. —— Two cloth covers of Harper’s Boy’s and Girl’s Li- 
brary, 1835, having a view of St. Luke’s Church, Hudson St., 
and the Bay and Harbour drawn from Bourne’s views. 


50. BOWERY THEATRE. N. Y. Theatre. Drawn by A. 
J. Davis, New York. Original scale drawing. Very neatly and 
carefully drawn and colored. Sm. 4to. n. d. (ca. 1826.) 


The Bowery Theatre was first named “The New York 
Theatre.” The view represents it as first built. In 1828 
it was burnt down, but rebuilt in a very short time. 


51. —— Photograph. 1870. Sm. 4to. 


52. Playbills of the Bowery Theatre; benefit of Stuart 
Robson and Last Appearance, Aug. 31, 1867; benefit of Miss 
Kate Glassford, ca. 1870. (2) 

i 


53. BRADFORD MAP, 1728. Facsimile published by Joseph 
Laing, N. Y. CoLorep. Large folio. 


54. BRIDEWELL, NEW YORK. (On part_of the site of 
the present. City Hall.) Built-in 1735 and destroyed in 1838. 


Beg Beene ORIGINAE-INDIA-INK DRAWING BY ALEXANDER ANDERSON. 8y0. 


55. BROADWAY AND FULTON STREET, 1798. Gen- 
eral Washington on his way to be inaugurated as President. 
(Scene at the corner of Broadway and Fulton St.) CotorEp 
LITHOGRAPH. Very large folio. Framed. 


56. BROADWAY. A View of the New City Tavern. (Broad- 
way, between Thames and Cedar.) Engraved by Tisdale for 
Longworth’s Directory, 1817. (Restrike.) 8vo. 


ae Music sheet, “Firemen, the Pride of the Nation.” 
Lithograph. n. d. (ca. 1825.) 
y, With pencilled note by Mr. Neill, “This is the only copy 
yA I have ever seen.” A view of the corner of Barclay St. 
a“ showing the American Hotel and Lydig House (site of 
the oe Hotel). 

58. —— Micetens Hotes No. 10 Broadway, with view of 
z Bowling” Green’ )Davisy“del. Copper engraving by Rawdon, 

ry <a fheed ‘and Co. Small view on a bill-head dated 1829. 


Franklin— Hause) 197 Broadway. Newton Hayes 
a eR Es 8 Litho raph by Pemberton. A. J. Davis, del. 
Folio. Fine Peay with margins. n. d. (ca. 1830) 


60. Barclay St. to Park Place. Outline pen and ink 
drawing by A. J. Davis (unsigned), showing the American 
Hotel and elevations of the houses beyond. 8vo. (ca. 1830) 


61. Masonic Hall (314-316 Broadway). Drawn by A. 
J. Davis. Engraved and printed by Fenner, Sears & Co. 8yo. 
India proof. Lond. 1830 

About 1832, owing to the Morgan disappearance, and 


the rise and strength of the Anti-Masonic party, the name 
of the Hall was changed to “Gothic Hall.” 


| 62. -) Original drawing of the residence of Philip Hone, 
ee ep tate of, Broadway and Great Jones Street. 8vo. By A. Hozier. 
® vy Loe ~ From ®t McK&eE COLLECTION. 


63. Webb’s Congress Hall, 142 Broadway. ‘Drawn and 
e———T engraved by M. Osborne. 8vo. INDIA PROOF. (ca. 1830.) 


64. Nos. 159-169. Ca. 1830. Small steel engraving 
showing Rathbun’s, the old building of Peter soa etc. On 
large paper. 


65. ——— Another copy of the same. 
8 


\ Lite > A 
aes 
ob pee 


ea WATER- 


"a 


66. BROADWAY. Colman’s Literary Rooms, Broadway. 
Drawn by A. J. Davis. Engraved and printed by Fenner, Sears 
& Co. 8vo. INDIA PROOF. Lond. 1831 


67. abt -«Mansion—(539 Broadway). Elevation. 
DRAWING, SIGNED I. Town—A. J. Davis. 


Broadway from the Bowling Green. Aquatint by W. 
J. rate eolored by hand. 4to. 
N. Y.: Henry J. Megarey, n. d. (ca. 1835.) 


Showing the First Grace Church at the corner of Rector 
Street. 


69. Music Sheet, “Broadway Sights,’ as sung by Mr. 
Latham at Niblo’s Garden. Lithograph by J. H. Bufford show- 
ing the Astor House, St. Paul’s Church, and Nos. 201 to 207 
Broadway. n. d. (ca. 1835.) 


70. —— Broapway, New York, SHOWING EACH BUILDING 
FROM THE HyGEIAN DEPOT CORNER OF CANAL STREET TO BE- 
YoND NisBLo’s GarDEN. Drawn and etched by T. Horner. Aqua- 


tinted by J. Hill. Published by Joseph Stanley & Co., 1836. 


Printed by W. Neale. Framed. Large folio. 


ONE OF THE VERY RARE ORIGINAL COLORED IMPRESSIONS. The 
view commences at the corner of Canal Street and looks 
north, showing the east side of Broadway with the various 
buildings very distinctly, among them being Tattersall’s 
(the building formerly known as. the Broadway Circus), 
and Niblo’s Theatre in the distance. The many figures 
in the street, the types of costumes, road coaches, private 
carriages, street vendors, all add to the value of the picture 
as a representation of Broadway at that period and the life 
of+ the people. 


o1. Howard’s Hotel, cor. Maiden Lane, 1840. Copper- 
ha view on a oak head. 16mo. 


Re Water Celebration, 1842. Lithograph by J. 


phe per sp. awit, ca g the Park Theatre and City Hall Park. 4to. 


73. —— Lithograph Panorama of Broadway from No. 1 to 
about 300 (West Side), in four sections, and showing extraor- 
dinary detail. No date, probably about 1845. VERY RARE. 


74. Nos. 14 to 32. “Broadway 1848.” Etching from 
a contemporary pen and ink drawing. INpra proor. Unsigned. 
Ato. 


75. —— Broadway,New York, south from the Park. Lith- 
ograph by N. Currier, showing the American Museum, the Astor 
House, etc. 4to. ~ Tock: ‘(ca. 1850) 

76. A later copy of the same with a few alterations, 


apparently intended as an advertisement of “Devotion’s Lexipy- 
reta.”’ 
9 


77. BROADWAY. Engraved view of Broadway from Vesey 
to Warren Street, circa 1850, giving, in detail, every building 
then existing, the names of the occupants appearing, in nearly 
every case, upon them. RARE. 


78. View of 629 Broadway, publishing house of Sarles 
and Adey. Music sheet lithograph by Sarony and Major. 1852. 
Ato. 


WQ. BROADWAY FROM WARREN TO READE ST. 

Lithograph, coeeey published by W. Stephenson, 252 Broad- 
way, 1855. Large iplio. Aramed. 
e “rest side, with the names of the firms, 
am@ng them being the Old Delmonico’s, the Irving House, 
the Chemigal Bank, etc. Trees are growing in the side- 
Yhambers Street. Of the names mentioned the 
ank is the only one remaining in that neighbor- 
hood. Numerous figures, coaches, and stages, etc., in the 
streets. VERY RARE. 


80) Exterior view of Taylor’s International Hotel, cor. 
of Franklin Street, and view ofthe interior of the saloon. Wood- 
cuts-by NAOrr-on-mrugic sheet, 1855. 


A favorite resort of Fernando Wood and politicians of 
the period. 


81. Music sheet lithograph giving a view of Vander- 
beek’s Piano NV easene ene 479 Broadway. Drawn by F. Kreuzer. 
4to. 


82. —— Broadway with Lincoln’s Funeral. The Nation in 
Tears. A Dirge by R. C. Music by Konrad Treuer. The back 
wrapper having a woodcut view of Broadway about Canal Street 
with Lincoln’s funeral; the front having a woodcut portrait 
of Lincoln, drawn by R. M.S. 4to. 

N. Y.:. W. J. Demorest (1865) 


Panoramic view, in 17 sections, separately mounted, 


83. 


of the West Side of Broadway, from Bowling Green to Union 


Square, SHOWING EVERY BUILDING AS IT EXISTED IN THE YEAR 
1865. The details are most interesting. Obl. 12mo. 


84. A similar series, in 16 sections, of the East Side of 
Broadway, from Beaver Street to 13th Street, showing the same 
interesting detail. 


85. Nos. 1 to 99. Tombs in Trinity Churchyard, corner 
of Broadway and Rector; Looking up from Exchange Place; the 


_ Old Hotel, No. 1 Broadway; Trinity Church (the second build- 


ing); No. 94 Broadway, etc. Mostly woodcuts, about 1840- 
70. (13) 


86. —— Nos. 100 to 199. Corner of Cortland St., No. 187 
(about 1840) ; Rathbun’s Hotel; Lower Broadway in 1860; Pan- 
orama Views of Nos. 173-207, 153-189; ete. Mostly woodcuts. 
About 1840-70. Some VERY RARE. (34) 


10 


. BROADWAY. Nos. 200 to 299. National Park Bank, 
ee The Old Herald Building (with the Broadway Bridge) ; 
Washington Hall, 1828 (site of. the Stewart Building) ; Ameri- 
can Museum, engraved by Wellstood; Francis’ Bookstore (No. 
a52) 5 Cozzen’s Hotel (cor. Barclay St. ); Brady’s Daguerreotype 
Building; Astor House, music litho. winter scene, with sleighs, 
1855; Broadway at St. Paul’s, copper engraving by Ahrens; 
St. Paul’s, eng. by Archer; etc. Woodcuts, ete. (65) 


88. —— Nos. 300 to 399. Interior of Waters’ Music Estab- 
lishment, No. 333. Colored litho. by Sarony, 1855; Nos. 333 to 
340, showing the Arbour and Broadway Theatre (nr. Pearl St.) ; 
Masonic Hall, 1830; Fowler and Wells’ Phrenological Establish- 
ment (No. 308); Gothie Hall (built 1826); Bourne’s Store 
(359), 1831; Taylor’s Saloon (365-367) ; N. Y. Hospital (be- 
tween North and Duane), proor; ete. Mostly woodcuts. (42) 


89. Nos. 400 to 499. Colored music lithograph by 
Sarony of Dodworth’s Music Establishment, 493 (1852) ; Broad- 
way from Canal St., with parade of the 7th Regiment (1856) ; 
Apprentice’s Library, 472; The Colonnade, 458 (rare) ; Apple- 
_ ton’s Book Store, 443-445; etc. Woodcuts. (23) 


90. Nos. 500 to 599. Tiffany’s, 550; Fourth Universa- 
list Church (between Spring and Prince) ; Anthony’s, 501, col- 
ored; E. A. Brooks, 575; No. 1 Bond St. (residence of Dr. J. W. 
Francis), proor; Interior of Niblo’s Theatre, 1863; ete. Mostly 
woodeuts. (28) 


OT. Nos. 600 to 699. Tripler Hall; Lafarge Hotel; 
N. E. cor. of Bond St. (family mansion) ; Stuyvesant Institute, 
659 Broadway (Y. M. C. A. and University Medical College) ; 
Bronner’s Store, 610-618 (cor. Houston) ; Palmo’s Opera House, 
641; St. Thomas’ Church, eng. by Delnoce, ca. 1840; National 
Academy of Design, 668; etc. Woodcuts, etc. (26) 


92. Nos. 700 to 799. New York Hotel, 721; Gurney’s 
Fine Art Gallery, 707; Church of the Messiah; Grace Church, 
eng. by Prud’homme; Methodist Publishing House, cor. 11th 
St.; ete. Woodcuts, ete. (9) 


93. Nos. 900 to 1399. Interior and Exterior of the New 
York Aquarium (cor. 35th St., now Herald Square Theatre), 
scarce; Orthopaedic Dispensary, 1299; Dispensary for the Chest 
and Throat, 1304 (site of Herald Building) ; Interior of Ab- 
bey’s Theatre, 22nd St.; etc. Woodcuts, ete. (8) 


94, ——— Nos. 1400 to 1699. Photographs of the cor. of 45th 
and 47th Sts.; 48th St. Market; etc. 6x8inches. (7) 
95. —— 59th St. to Manhattanville. Photograph of S. E. 


cor. 102nd St. (buildings in course of construction) ; colored 
views from Valentine’s Manual of the old Abbey Hotel, Burn- 
ham’s Hotel, etc. 7 pieces. 

LE 


ae 


96. BROADWAY. Small woodcut views of various places 
on Broadway to about 23rd St., including Niblo’s Garden, — 


Broadway Theatre, the Hippodrome, the Tabernacle, ete. Over 
75 pieces, mounted on thin card. 


ite 
and Express, 1899. Colored pictorial panorama, showing the 
houses on both sides of the road. Oblong 12mo, wrappers, pp. 91. 


ee 


98. ——— Another copy. 


99. BROOKLYN. View of Brooklyn, L. I., from U. 8. Hotel, 
New York. Drawn from Nature and on Stone by E. Whitefield. 
Printed by F. Michelin, 111 Nassau St. (1850). Large oblong 
folio. Framed. 

VERY RARE. Showing also the buildings on the New 


York side of the River in the neighborhood of Fulton 


Ferry. 


100. BROOKLYN, L. I. Painted by J. W. Hill. Smith 
Bros., del. Published by Smith Brothers & Co. 1853. Large 
folio. (A little rubbed.) 


Showing also the New York side of the Hast River in 
the neighborhood of Wall Street oF 


101. BROOKLYN. City of Brooklyn L. I., taken from 
Rush Street. Large folio lithograph drawn by J. Bornet, 
printed by A. Weingartner, 1855. Large folio. 

A bird’s-eye view showing not merely Brooklyn, but New 
York City from about Canal Street to the Battery, with 
a distant view of the Bay. In the middle foreground is 


the Old Brooklyn Navy Yard in cage detail. THE ONLY 
KNOWN COPY. 


102. —— Bird’s-Eye View of the Borough of Brooklyn. 
Process engraving from a painting by R. W. Rummell, printed 
by DeVinne. Published by the Lawyer’s Title Insurance Co. 
1904. Large folio. 


103. BROOKLYN BRIDGE, East River Beidaal Engineer, 
John A. Roebling. Tinted lithograph by the Standard Press, 
n. d. (but before the building of the bridge). Oblong folio, 
stained. 


104. The Great East River Suspension Bridge. Cox- 
ORED LITHOGRAPH by Currier and Ives. 1886. Large folio. 


105. BROOME STREET,.....Sepia drawing by Lewis, of the 
house af_Alexande ~ATiderson, the engraver, in Broome Street. 
rah Oe Me 


106. —— Residence of Rev. Moses Cummings (461 Broome 
St., 1864?). Lithograph, unsigned. 
12 


A Pictorial Description of Broadway. By the Mail 


107. BURNING OF THE STEAMER LEXINGTON in 
Long Island Sound, Jan. 13, 1840. CoLoRED LITHOGRAPH, un- 
signed. Sm. 4to. 


108. CASTLE GARDEN. Front sheet of the “Castle 
Garden March,” published by E. Riley, Chatham St., giving a 
vignette of Castle Garden and bridge. Rares. n. d. (ca. 1820) 


109 Title-page to the “Tour of Gen. Lafayette,” with a 
: small circular engraving, “Landing of Gen. Lafayette at Castle 
4 dR Garden, Nhu) York, 16th August, 1824.” 


SEB 


110. —— Landing of Gen. Lafayette at Castle Garden, New 
York, 16th August, 1824. I.pert, del. Samu. MAVERICK, 
Sct. 8vo. 


Showing the Old Signal Tower and Castle Garden. 


ar: Title-page to the Ladies Magazine, N. Y. 1827, 
containing an engraved vignette of the Battery and Castle 
Garden, engraved by James Eddy, Wall St., from a drawing by 
A. J. Davis. 8vo. 


112. Colored lithograph unsigned, lettered “Battery,” 
howing Castle Garden and Rabineau’s floating swimming baths, 


pee aa Thompson’s Washington Baths. Oblong 12mo. Rare. 
ca. 1830 


113. —— Music Sheet “Light May the Boat Row,” sung by 
Mrs. and Miss Watson. Published by Atwill, 201 Broadway, 
1836. With lithograph view of Castle Garden, unsigned. 


114. The same. Fifth Edition, 1836, with variation in 
the lithographic view. (A large schooner is in the river opposite 
the tree on the right, not in the preceding drawing, and other 
alterations.) lLithographed by Endicott. 


115. —— A copy of No. 1 above, lthographed by A. E. 
Baker, 36 Maiden Lane. With the omission of the crowd on 
the top of the buildings and a few other variations. Inlaid. 


y, 116. —— Tinted lithograph by J. Bornet, carefully drawn. 
f~ ca. 1850. Very Rare. 
447. Music Sheet, “Castle Garden Schottisch,” with 


colored lithograph view of Castle Garden. 4to. 1852. 


118. Early woodcut view, by Breton and Gilbert, ca. 
1825; Photograph when used as Emigrant depot; etching by 
H. Farrer, 1870, of the Old Revenue Office; ete. (10) 


13 


119. CENTRAL PARK. Bird’s-eye view with Central Park 
West, Fifth Avenue and adjacent streets. Six small inset views 
of the Mall, etc., at top and bottom. COLORED LITHOGRAPH, 
unsigned. Large folio. (Printed on the back is a colored fac- 
simile of the Bradford Map of New York of 1728, with imprint 
of J. Slater, N. Y.) 


A VERY RARE VIEW, probably drawn before the Park was 
completely laid out from the Commissioner’s plans. Fifth 
Avenue is seen to be mainly fields with a cluster of houses 
about 90th Street. Central Park West is in the same state, 
a few scattered houses with fields between and high rocks. 


120. Bird’s Eye View of the Central Park, New York. 
Colored lithograph. John Bachmann, del. Folio. 1865. A 
view looking south from about the centre of the Park, and em- 
bracing the whole of the city to the Bay. A balloon is in the 
centre of the picture. 


121. CENTRE STREET. St. Phillip’s Church (81 Centre 
St.). W. Bayley, pinxt. Prud’homme, sc. Line engraving. 


8vo. ca. 1840 
A Church for colored people, destroyed in 1856. A curi- 
ous form of street car is seen in the street. 


/2%>-CHAMBERS STREET. No. 39. The Arcade Baths 


opposite the Rotumde. Iithegraph by Impert. A. J. Davis, 
delt: 42 ExchapterFolio. cee n. d. (ca. 1835) 


123. CITY HALL. Lithograph drawn by A. J. Davis, giv- 
ing an elevation of the City Hall. Proof. 4to. Framed and 
glazed. 


124. The same lithograph washed in color, and with the 
addition of a few buildings drawn on each side. 4to. 


125. The same lithograph with the addition of a third 
story, and a portico on the Kastern side, DRAWN IN WASH BY A. 
J. Davis for suggested alterations. The buildings drawn on 
each side in the preceding number omitted. 4to. 


126. New York City Hall, Park and Environs. Bach- 
mann, del. and lith. A bird’s-eye view. 4to. n.d. (ca. 1860) 


127. Washington delivering his Inaugural Address. En- 
graved in mezzotint and stipple by H. S. Sadd after Matteson. 
Large folio. Proor. 1849. 


The view is the interior of the Senate Chamber in the 
Old City Hall. 


128. CITY HALL PARK. The south corner of City Hall — 
Park, 1842, lithograph on music sheet of “The Pretty Flower 
Girl”? Wm. Croome, del. 


129. The Magnificent O’Connell Funeral Car passing 
the Park, on Wednesday, Sept. 22, 1847. Litho. and pub. by 
N. Currier. 4to. 


14 


J 4A— 


130. CLAY (HENRY). Death of Henry Clay, Jr., of the 
Second Regiment Kentucky Volunteers at the Battle of Buena 
Vista, Feb. 23, 1847. CONTEMPORARY COLORED LITHOGRAPH by 
N. Currier. 4to. Scarce. 


131. CLIFF STREET. India ink and color drawing by 
C. B. Graf of the original building in Cliff St., where the firm 
of J. & J. Harper, publishers was founded. 4to. 

; n. d. (ca. 1830) 


132. COFFEE HOUSE SLIP. Foot of Wall Street. Drawn 
and engraved by H. Fossette. India proof. 8vo. (ca. 1830) 


133. Coffee House Slip. Drawn by A. L. Stansbury. 
Eng. by M. I. Danforth. 16mo, inlaid. 
Showing the Old Tontine Coffee House. 


134. COLUMBIA COLLEGE. H. Walton, del. Pendleton’s 
Lithy. 8vo. A view of the old buildings in College Place and 
Barclay St. ca. 1834 


135. View of Old Columbia College. Photograph by 
L. E. Walker. 4to. n. d. (ca. 1840) 


ONGREGATIONAL @GHURCH. Cor. Prince and 
Streeh . ORIGINAL COLORED DRAWING by A. J. Davis. 
. R. Brady, Architect. n. d. (ca. 1826) 


Si ONC 

é aig This was founded by a secession of members of the 
First Congregational Church who held Unitarian Doctrines, 

and was named by them the Church of the Messiah. It 

was_destroyed by fire in 1839. 


137. CROSBY STREET. Interior of Dr. Rich’s Institute 
for Physical Eduéation;-159 Crosby Street. Tinted lithograph 
by Endicott. Large folio. 

138. CRYSTAL PALACE. BAXTER OIL-PRINT. Col- 
ored oil-print of the Crystal Palace, with the 42nd St. Reservoir 
in the background. Printed by the Baxter process from a draw- 
ing by the architects of the building. 


ScARCE. FINE ORIGINAL WITH BAXTER’S BLIND-STAMP. 1858. 


139. CRYSTAL PALACE, 42nd Street. Lithograph in gold 


and colors by Chillas, Philadelphia, 1853, containing at the 


bottom a view of the N. Y. Crystal Palace, in the centre a 
portrait of Washington with motto “Patriae Pater,” and alle- 
gorical figures and decorations. Folio. 


Interesting as a fine example of lithography in colors, as 
well as for the view. 


140. CRYSTAL PALACE (THE). Lithograph in gold and 
colors by Jos. Laing & Co., N. Y., containing a view of the 
Crystal Palace, 1853. Folio. 


141. CRYSTAL PALACE. Various engravings and a litho- 
graph of the Crystal Palace, including one printed in gold and 


colors. (6) 2 


142. CUSTOM HOUSE, NEW YORK. Designed by Ithiel 
Town and Alexander Jackson Davis, Architects. Etching, 1834. 
4to. 

Davis and Ithiel Town were in partnership for many 
years. 


143. DAVIS AND IMBERT’S VIEWS. Views of the Pub- 
lic Buildings in the City of New York. Correctly drawn on 
Stone by A. J. Davis. Printed and published by A. ImBert, 
s ographer, No. 79 Murray St., New York. [1827.] With 

ette of the Rotunda. Also ya front wrapper of the First 
5 ee (2) 
ee ‘Comprising the title page of the series, with the front 
; wrapper. This and the following seven lots comprise all 
/ that were issued of the series, originally intended to in- 
clude the principal American cities, but apparently ending 
with the issue of these alone. THEY ARE NOW EXTREMELY 

RARE, especially in INDIA PROOF STATE. 

The Rotunda pictured here was erected by John Vander- 
lyn, the painter for art exhibitions. It was situated in 
the City Hall Park on the site of the present Court of Ses- 
sions. In 1835 after the Great Fire it was for some time 
occupied by the Post Office. 


144. New York Theatre. (The First Bowery Theatre.) 
Inpia PROOF. Folio. . 

145. —— Phenix Bank (Wall St.). Iypra proor. Folio. 

146. —— Moriah Exchange (Wall St., eel in the fire 
of 1835). Inp1a proor. Folio. 

147. —— Masonic Hall a -316 Broadway). INDIA PROOF. 
Folio. 3 

148. —— Second oaeenal Church, Prince and Mercer 
Streets. INDIA PROO olio. 

149. —— Branch Bank of U. S. (Wall St.). Inpia Proor. 
Folio 

150. —— St. wolfe Church (Broadway, cor. Houston). 
Folio. 


151. DEBARQUEMENT DES TROUPES ENGLOISES 


A NOUVELLE YORCK. Gravé par Francois Xay. Haber- 
mann. Curious engraving, COLORED. Augsbourgz (1781) 


152. DISTURNELL’S VIEWS OF NEW YORK. Castle 
Garden; City Hall; Steamboat Landing, North River; Pres- 
byterian Church, Mercer St.; The Narrows from Staten Island; 
Governor’s Island from the Battery; New York from Wee- 
hawken; New York Harbor from the Battery; New York from 
Governor’s Island; The Penitentiary, Blackwell’s Island; and 
three duplicates. Engraved from drawings by Burton, Wade, 
etc. 16mo. One stained. 13 pieces. ca. 1835 


A PARTICULARLY INTERESTING AND DESIRABLE LOT. 
16 


a 


153. DUANE STREET.— View of the Columbia Foundry, — 
fre 52 Duane St-eor. Gross (now Centre) St. Woodcut on a cir- 
~  eular. 80. ca. 1830 


154. DUTCH STREET. Colored lithograph by Endicott, 
representing the building of Samuel Wilde & Sons, 7-11 Dutch 
St. Folio, n. d. On stretcher. 


155. EIGHTH REGIMENT, N. Y. Colored lithograph by 
Boetticher, 1859, representing a parade of the 8th Regiment 
in an open square. Large folio, framed. 


156. EIGHTY-FOURTH ST., AMSTERDAM AVE. “The 
House in which Poe wrote the Raven.” Etching by F. W. 
Olds, 1888. Ato. 


157. ELEVATED RAILROAD. View of the proposed 
elevated railroad on music sheet of the “Rapid Transit Galop.” 
Phila., 1875. Lithograph. 


158. ELEVENTH AVENUE AND 148TH STREET. Plan 
of Lots in/Woodland Park, City of New York. Lithograph by 
G. Hayward, N.Y!» Folio. _A plan-of-the streets and location 


wre of the_lots;*with alergé view of the proposed dwellings and 
Park. The Hudson River and railroad bounds it on the left. 


THE ONLY KNOWN COPY. 


OLQGRED LITHOGRAPH BY IMBERT. ae J. Davis, cache J 
ca. 1826 


Outline pencil drawing, unsigned, of the Arsenal. 


160. 


Elm Street, in 1852. With note “Bought at the Davis sale,” and 
probably by that architect. 


161. FEDERAL HALL. View of the Federal Edifice in 
New York. 8. Hill, Sculpt. Engraved for the Massachusetts 
Magazine, June 1789. ORIGINAL IMPRESSION, but a little worn. 


162. View of the Federal Edifice in New York. Cop- 
per engraving from the Columbian Magazine (1789). Sm. 4to. 
_~ Scarce. In clean unfoxed condition. 


4 163. View of the Federal Hall of the City of New 
Y York, drawn by G. Holland from the original of 1797, and 
printed in colors for Valentine’s Manual. Folio. 


164. FIFTH AVENUE AND THIRTY-FOURTH ST. 
Photograph of Grant’s funeral passing the corner of 34th St., 
1885. 


165. FIFTH AVENUE. Suburban Gothic Villa, Murray 
Hill (between 37th and 38th Sts.), the residence of W. C. H. 
Waddell, with ground plans. A. J. Davis, Architect. Litho- 
graph by Jones and HE. Palmer. 4to. 


17 


- 


eee 


166. FIFTH AVENUE AND FORTY-SECOND STREET. 
Row of (Gothic) Dwelling Houses, Fifth Avenue (Murray Hill). 
Lithograph by-Hateh & Co. Folio. n. d. (ca. 1850) 


On the site is now the Lincoln Safe Deposit Company. 
Opposite the houses is seen the wall of the reservoir, and 
behind the houses—down 42d Street is vacant land. One 
of the Fifth Avenue stages (just passing out of existence) 
is in the foreground. 


\ 167. FIFTEENTH STREET. Warer-cotor DrRawine of 


he old home of the Century Club at 42 Hast 15th Street. By 
“Cr BUGYat—Signed. 7% x 514 inches. Five. 


168. FIREMAN’S CERTIFICATE. Certificate of appoint- 
ment of James Bolter as Fireman of the City of New York, 
dated Sept. 1845, and autographed by D. T. Valentine and 
J. S. Giles. With allegorical design and view of an old hand 
fire-engine. Engraved. by G. W. Hatch. Folio. 


169. FIRST PRAYER IN CONGRESS. Engraved by H. 8. 
Sadd after Matteson. Large folio. (Damaged.) 


170. FIVE POINTS. Scenes from Opera at the Five Points: 
a Musical Offering. By G. H. Curtis. Oblong 12mo, N. Y. 
(1853), with view on the cover and the title-page of the Five 
Points’ House of Industry. 


171. FOGGY MORNING OFF THE BATTERY. Finely 
executed water-color, unsigned, showing the Battery about the 
period of 1840. Brooklyn dimly seen in the distance, an old- 
time Hudson River sloop in the foreground. 1114 x 23 inches. 


172. FOURTEENTH STREET. St. Bernard’s Church, 
West 14th Street (Exterior); Interior of St. Bernard’s Church. 
P. C. Keeley, Architect. Rey. G. A. Healy, Pastor. Colored 
lithographs by The Graphic Co., N. Y. Folio. (The margins 
of the first slightly torn.) (2) 


173. FUBTON STREET. Poster of Ralph & Co., Agricul- 
tural Manufacturers, etc., showing views of their various stores, 
including. No: 23° Fulton Street. Tinted lithograph by Forbes, 
Albany, about 1850. Large folio. 


174. Tinted lithograph by Joseph Laing & Co., giving 
a view of their Printing Establishment, 66 Fulton Street. Large 
folio. 


175. The North Dutch Church in course of ‘demoli- 
tion. Painting on card by J. M. Falconer, signed and dated 
duly 5, 1875, 14 x9 inches. 


176. —— The North Dutch Church in course of demolition. 
July 5, 1876 (1875?). Etching by J. M. Falconer. Signed and 
dated 1882. Folio. a 


18 


177. GOVERNMENT HOUSE (THE). C. Milbourne, 
Delint. Et Excud. 1797. From the Original Drawing by W. J. 
Condit (in the possession of Thomas N. Campbell, Esq.). 
Drawn expressly for D. T. Valentine’s Manual. Liru. anp 
PRINTED IN coLoRS by C. Currier. Entered . . . by H. R. 
Robinson. N. Y., 1847. Colored. THE SCARCE ORIGINAL 
ISSUE, WITH MARGINS. 


178. Another issue of the same state of the plate, but 
with Currier’s name, and the sentence as to Valentine’s Manual 
erased, and the sky entirely blank. Uncolored. (Pasted on 
the back of a colored lithograph by Parsons and Endicott, of 
the steamship Baltic, 1855.) Probably a proof taken to ascer- 
tain the state of the stone before reprinting. 


179. —— Another state of the plate. (The “Thomas” of 
“Thomas N. Campbell” is omitted, H. R. Robinson’s name re- 
places Currier’s, the “t” is dropped from “Delint,” the upright 
stone in the brickwork in the extreme left corner extends over 
eight courses instead of seven, the second house to the right 
in the centre has the side wall ‘solid to a point, instead of a 
gable showing from behind over a square top, and a few other 
changes.) Colored. 


180. @ 
Henry Ho 
the old bui 


RCH. Colored lithograph by J. Bornet. 
iblisher, 180 William St., N. Y. 4to. Showing 
ings on the site of Stewart and Wanamaker’s store. 
ca. 1850 


181. GRACE CHURCH, BROADWAY. “Drawn from Na- 
ture by Aug. Kollner. Lith. by Deroy. Folio- 1850. 


Fine impression with the blind stamp of Goupil, the 
publisher. 


182. GRAMERCY PARK. No. 16. Elevation and ground 
and floor plans of Ardivelling house for Ch. Aug. Davis. Draw- 
Incs Bx Ay J. Davis" 1s46. (3) 


183. GREATER NEW YORK. Bird’s-Eye View, of the 
Five Boroughs forming Greater New York. Process engrav- 
ing from a painting by R. W. Rummell, printed by De Vinne. 
Published by the Lawyer’s Title Insurance Co., 1904. Large 
folio. 


184. GREAT FIRE OF NEW YORK, 1835. View of the 
Great Conflagration of Dec. 16 and 17, 1835, from Coenties Slip. 
Sketched and drawn on stone by J. H. Bufford. Published by 
J. DIsTURNELL, 1836. N. Currier’s Lithograph. 4to. COLORED. 

VERY RARE. 
19 


date ori (1835. Lithograph 


e Exchange, the offices of “The New York 
The Fulton Insurance Company,” etc., in 
old-fashioned hand fire engines are at work 


f 
trumpets. Many of the figures are portraits. 


186. GREAT FIRE, 1835. View of the-City of New 
York as it appeared from Weebank (sic), a distance of about one 
mile, during the night of the fire, etc. Drawn on stone by 
A. Picken from a sketch taken on the spot by Lieutenant West- 
brook. Printed by Day and Haghe. London. Pub. for G. W. 
by Reeves & Sons, etc. Sm. 4to. 


VERY RARE. 


187, AT FIRE 1845. View of the Terrific Explosion 
at the est Fire in New York from Broad St., July 19, 1845. 
Lith, and pub. by N. Currier. 4to. CoLoren. 


BELIEVED TO BE THE ONLY KNOWN COPY. 


188. GREENWICH STREET. No. 162, near Cortlandt St. 
Tinted lithograph of the “Pacific Hotel.” 4to. 
New York, July 1st, 1836 


189. HALLS OF JUSTICE (THE “TOMBS”). Designed 
by John Haviland, Architect. Lithograph. Ato. 
N. Y.: N; Carriere 


A scarce lithograph contemporary with the erection of 
“The Tombs” (1840). 


190. HARLEM LANE. (St. Nicholas Ave., 110th to 124th 
St.) Fast Horses of N. Y., Scene, Harlem Lane, N. Y. Coz1- 
ORED LITHOGRAPH by Th. Kelly from an Original Sketch by J. 
Beard. 1871. Folio. Commodore Vanderbilt with Mountain 
Boy, and Robert Bonner with Dexter and Goldsmith Maid are 
the two central figures. 


191. —— Trotting Cracks on the Road, Scene Harlem Lane. 
COMPANION COLORED LITHOGRAPH to the above. 1870 


192. HAVELL (ROBERT). Panoramic View of New York 
from the East River. Panoramic View of New York from the 
North River. Woodeuts from the N. Y. Weekly Sun, May 
1847. With pencilled note, “These were a piracy from two pub- 
lished by me, Robert Havell.” 


193. HELL GATE. East View of Hell Gate in the Province 
of New York. W. A. Williams, del. 1775. Key beneath to 
the rocks and obstructions. Copper engraving from the Lon- 
don Magazine, 1778. 8vo. 


20 


PR 


194. HELL GATE. View of Hell Gate, the entrance from 
Long Island Sound to New York. Drawn under the direction 
of the Author and engraved by M. Merigot. London, J. Cundee, 
1807. Printed in sepia. 8vo.° Fine impression with large 
margins. | 


195. Another copy of the same laid down on card and 
imprint cut off. 
196. Hell Gate. Painted by J. Shaw. Engraved by J. 


Hill. Published by M. Carey, Philadelphia. Aquatint. Folio. 


197. —— Hell Gate. Drawn and engraved by A. Dick. Pub- 
lished by J. Disturnell, N. Y. Line engraving. 8vo. (ca. 1840) 


198. HIGH BRIDGE. The High Bridge at Harlem, N. Y. 
Lith. and pub. by N. Currier, 1849. 


199. HINTON’S VIEWS. Engraved views from Hinton’s 
History of the United States. London, 1834. Drawn by A. J. 
Dayis, C. Burton and J. Dupres, engraved by Fenner Sears & 
Co. Comprising vignette title-page with view of the Battery; 
New York (from Weehawken) on Inp1Aa PAPER; Masonic Hall, 
Broadway; Colman’s Literary Rooms; City Hall; St. Paul’s; 
Columbia College; The Merchant’s Exchange, and duplicate of 
the Masonic Hall on INDIA PAPER. (9) 


200. HOE’S FIRST MANUFACTORY. 29-31 Gold St. 
near Fulton, ca. 1830. Line engraving. 12mo, unsigned. 


201. HOTELS. Clarendon (Site of “The Florence’’); Amer- 
ican (Broadway, opp. the Park); Irving House (Broadway, be- 
tween Chambers and Reade); Clinton Hotel (Beekman St., opp. 
the Park), on bill-head.. 16mo and 8vo. 


PARTICULARLY FINE AND RARE LOT. 


202. HUDSON RIVER. View near Fort Miller. Painted 
by W. G. Wall. Engraved by J. Hill. CoLorep .aQuaTINT. 


No. 10 of the Hudson River Portfolio. (N. Y. 1828) 
203. —— View near Hudson. No. 15 of the same series. 
COLORED. (N. Y. 1828) 


204. Tinted lithograph of the Pier and Dock of the 
“People’s Line for Albany,” N. Y. Drawn by J. S. (Sills?). 
Folio. n. d. (ca. 1860) 


205. ICONOPHILE SOCIETY. Series LX, comprising en- 
gravings of rare prints or of paintings not previously engraved. 
Engraved by F. 8. King, Sidney L. Smith, and W. M. Aikman. 
12 parts. Sm. 4to, in the original wrappers. Ne -Y- 1906 

Only 100 impressions of each were printed and the plates 
cancelled. The subjects include: A South East Prospect 
of N. Y., 1756; A South West Prospect, 1806; The Old 
Custom House; New Amsterdam about 1650; Columbia 


College, 1784-1857; N. Y. in 1775; Broadway and Grand 
St. in 1830; etc. 
21 


206. ICONOPHILE SOCIETY. Federal Hall. By Sx. 
Smith from the engraving by Doolittle, 1790. 1899. 


207. —— New York Hotel and Broadway, 1867. By 8. L. 
Smith. 1909. 

208. —— Bowling Green and State Street, 1880. By 8. L. 
Smith, 1900: 


209. IRVING (WASHINGTON). Music sheet, “Irving 
House Waltzes,’ with curious lithograph views, illustrating 
Irving’s works, including a view oF New AMSTERDAM IN 1659. 
Fol. N. ¥.; 1849; Ranrz. 


210. JEFFERSON (THOMAS). President of the United 
States of America. Stipple engraving by J. Kay, 1801. 16mo. 
RARE. 


211. JEROME PARK. ‘Tinted lithograph view of Jerome 
Park and the Grand Stand, 1867, on Music Sheet of “Jerome 
Park Dances.” 


212. JOHN STREET. View of the First Methodist Church, 
and Capt. T. Webb preaching in the barracks in New York. 
Two small copper engravings on a 12mo leaf. Unsigned. 

ca. 1810 


213. —— The First Methodist Episcopal Church in Amer- 
ica, erected in 1768 on Golden Hill (now John Street). Line 
engraving by L. Delnoce, painted by J. B. Smith. Large folio. 

N. Y. 1868 


214. JONES ST. CHURCH. Elevation and Ground Plan. 
Original drawing, unsigned, but probably by A. J. Davis. 


215. JONES’ WOOD. (On the East River between Sixty- 
sixth and Sixty-seventh streets.) The Great International 
Caledonian Games held at Jones’ Woods, July 1st, 1867. Del. 
and lith. by J. L. Giles, printed by C. Hart, 1868. Colored. 
Large folio. 

FINE ORIGINAL IMPRESSION WITH BRIGHT COLORING. The 
scene shows that portion of the park where the sports 
are proceeding, numerous figures in Scottish costume in 
the foreground. 


216. India-ink drawing, “Ready-money Provoost’s Tome 


in Jones’ Wood, N. Y., 1857.” 31 x 6 inches. 
The tomb of David Provoost the second, Mayor of oe 
York in 1699, son of David Provoost, the first settler of 

the name and ancestor of Bp. Provoost. 


217. LOEW BRIDGE, BROADWAY, near ST. PAUL’S 
CHURCH. Ferrotype from Nature, 1866. 414 x 51% inches. 


218. MACOMB’S DAM. Deagle’s Hotel, Westchester side 
of the Dam. Small copper-plate showing the Hotel and Bridge. 
ON LARGE PAPER. 


99 


219. LAFAYETTE THEATRE. Laurens Street (South 
Fifth Avenue), near Canal St. Peter Grain, Architect, 1827. 
A. J. Davis, del. Lithograph by Imbert. 4to. VERY FINE oRIG- 
INAL COLORED IMPRESSION, with large margins. 


The Lafayette Theatre was originally built as a circus 
by General Sandford, in 1825, and in 1827, at the desire 
of his wife (formerly Mrs. Holman), an actress, trans- 
formed into a theatre for regular entertainments. The 
lithograph shows the reconstructed building. In 1829 it 
was destroyed by fire, and on the site was erected the 
Catholic Church of St. Alphonsus. 

In it several notable events were celebrated, the Great 
Ball at the completion of the Erie Canal when the whole 
building was lavishly decorated (described with much 
detail in Stone’s Canal Celebration), the first dramatiza- 
tion of Cooper’s novel, “The Spy,’ when the audience 
recognized Enoch Crosby in a box and rose en masse, 
the first organized American ballet, ete. 

THE PRINT IS ESPECIALLY RARE IN COLORED STATE. 


220. LINCOLN (ABRAHAM). The First Reading of the 
Emancipation Proclamation before the Cabinet. Painted by 
F. B. Carpenter. Engraved by A. H. Ritchie. Large folio. 
Mounted on stretcher. Original impression, 1866. 


SECOND SESSION 


221. MADISON COTTAGE, CORPORAL THOMPSON’S 
HOUSE OF REFRESHMENT. Co.LoreD LITHOGRAPH, un- 
signed. 4to. A’small piece of the lower margin torn off, remov- 
ing a few words of the inscription. n. d. (ca. 1850) 


ONLY.ONE OTHER COPY OF THIS RARE VIEW BELIEVED TO BE 
KNOWN. Madison Cottage was a noted road house, much 
frequented by=the-sportsmen of New York. In 1853 the 
site was occupied by Franconi’s Hippodrome, and to-day 
by the Fifth Avenue Hotel. 


222. FRANCONI’S HIPPODROME. Lithograph in tints 
from a music sheet by Sarony and Major, 1853. 4to. 


The corner of Broadway and 23d Street, on the site of 
Corporal Thompson’s Madison Cottage, and now occu- 
pied by the Fifth Avenue Hotel. The Hippodrome existed 
less than two years, and VIEWS OF IT ARE CONSEQUENTLY 
SCARCE. 


223. MADISON SQUARE, 1857. Ceremonies at the Dedi- 
eation of the Worth Monument. Lithograph by Weingartner. 
4to. 


224. MADISON AVENUE. ‘78th to 79th Street. Hleva- 
tion by York and Sawyer, Architects, of three houses for J. C. 
Lyons. Drawing mounted. 4to. 


23 


225. MAGNUS’ LETTER-HEAD VIEWS. Chatham 
Square, Bowling Green, the Crystal Palace, New York and 
Environs, Third Street between Avenues A and B, Coenties 
Shp, Grand Street, Tompkins Square Park, ete. Lithograph 
letter-head views in colors by C. Magnus, 1850-1880. (16) 


These desirable views have become scarce with the pass- 
ing years. A few are rare. 


226. MAIDEN LANE. Warer-cotor prawine by J. M. 
Falconer, sigited and ppaped October, 1851, of Nos. 53 to 59. 
Maiden Laney 105 ¥13N%-inches. 

In No. 55 was published in 1819 the second series of 


Salmagundi. The drawing shows the building in practi- 
cally the same state as thirty-two years before. 


aa7. An etching of the same, by J. M. Falconer (re- 
duced from the above). 


228. MANHATTANVILLE. View of the camp of Col. 
Laight’s Regiment of Militia in the vicinity of Manhattanville, 
S. of N. York. Engraved by Kneass, Young & Co. H. Rei- 
nagle, del. 8vo. (From the Analectic Magazine.) 


The background suggests that the camp is at the foot of 
Morningside Heights. The error of “S. of N. York” is 
no doubt due to the engraving having been executed in 
Philadelphia by engravers not well acquainted with this 
city. 


229. —— Another copy. 


230. MAPS. Novi Belgii novaeque Angliae nec non Penn- 
sylvaniae et Partis Virginiae Tabula multis in locis emendata a 
Justo Danckers. Large folio. CoLoRED. 


Asher No. 19, with Philadelphia engraved on it. The 
view of New York (or New Amsterdam) engraved at 
the foot of this map is the second existing view, repre- 
senting the city as it was about 1650. In this issue the 
principal buildings are marked with references to a key- 
plan at the bottom, an important addition that was omitted 
in the first impression, and it is possible, therefore, to 
identify the Governor’s house, the West India Company’s 
Store-house, the Town Hall, First Dutch Church, ete. 


231. —— Belgii pars Septentrionalis communi vulgo Hol- 
landia . . . (excudit) Perro ScuHENoK. Large folio, coLORED. 
Inset at the top is a reduced copy of Visscher’s map with 

title “Batavorum Coloniae Occident Indiis Septentrionalis 


Americae implantatae” containing a miniature copy of Vis- 
scher’s view of New Amsterdam. (Asher No, 20.) 


2OR. 


Copy of the same map with imprint of J. B. Ho- 
mann, Nuremberg, also containing the inset map of the Dutch 
Colonies in America and the view of New Amsterdam, but this 
latter slightly varying. 


24 


233. MAPS. Recens edita totius Novi Belgii in America Sep- 
tentrionali siti delineatio, cura et sumtibus Matthaei Seutter. 
Large folio, cotorep. Laid down on card. 

With the third view of New York “Neu Jorck sive Neu 


Amsterdam” representing the City about 1673, with a key- 
plan to the buildings. 


234. A Map of the British Empire in America with 
the French and Spanish Settlements adjacent thereto. By 
Henry Popple. (1733.) 


A complete set—21 sections—of this valuable map, orig- 
inal issue, containing views of New York, Mexico City, the 
Falls of Niagara, Quebec, and plans of Boston, etc. The 
view of New York is the earliest issue before the name of 
the engraver—W. H. Toms—was erased. 


235. A Map of the British Empire in America with the 
French and Spanish Settlements adjacent thereto. By Hen. 
Poppie. Folio, colored. Lond. 1733 

The key map to the large series of Popple’s maps. With 
miniature views of New York, Quebec, Mexico City and the 
Falls of Niagara; and plans of Boston, Charlestown, etc. 
The original English issue engraved by W. H. Toms. 


236. Copy of the same map engraved by T. Condet and 
issued in Amsterdam by Covens and Mortier, ca. 1739. With 
the addition in the title of the word “Hollandish” (Settle- 
ments). Outlines colored. Large folio. 


237. Plan of the City of New York... drawn from 
actual survey by William Bridges. Published by Isaac Riley, 
N. Y. 1807. 4to. Damaged in the folds. (From Mitchill’s 
Picture of New York.) 


238. —— Map of Nep 
tory, 1817, with small W 


York City from Longworth’s Direc- 
ws inset of the City Hall, Asylum, 


a Damage Hospital, /Ne ork Institution, and City Hotel. 


~~ Damaged and repaireé 


239. A New Map of the City of New York. Published 
by J. Langdon, N. Y. 1831. Engraving. Folio. (With views 
of the City Hall, and Merchant’s Exchange.) 


240. —— New York. Drawn and engraved by J. Rapkin. 
Folio. London: Tallis, n. d., ca. 1840 
With inset views of New York from Williamsburgh; 


Brooklyn; the City Hall; Custom House; the Narrows from 
Fort Hamilton; and a New York Steamer. 


241. 


Map of the City of New York with Part of Wil- 


- liamsburgh. CoLorEeD LITHOGRAPH by C. Magnus, with view of 


New York from the Jersey coast. Folio. 1850. 


242. ——— Complete Map of the City of New York. CoLorEp 
LITHOGRAPH by C. Magnus, with view of the Crystal Palace. 
Poito. > ca. 1853 


25 


243. MARSHALL (WILLIAM E.). Engraved portrait of 
Chauncey M. Depew. INDIA PROOF BEFORE LETTERS. A presen- 
tation copy from the engraver with autograph inscription. Large 
folio. Mounted on card. : 


a 


TIN’?S SAFE MANUFACTORY. Colored litho- 
nar, showing the corner of St. Mark’s Place and 
vat aoe by. the Safe Manufactory of Stearns and 


\ 


eerie She meget eee 


244. MA 
graph by "KR. 
Avenue A, 
Marvin. 
- 
(fv 245. MENU. Bill of Fare of American Hotel, 229 Broad- 
way, June 16, 1836, with interesting “regulations.” Rare. 
Shghtly torn at side and stained. 


246. MERCER HOUSE. Corner of Mercer and Broome. 
COLORED LITHOGRAPH view, with portraits of Capt. W. H. Un- 
derhill and Lieut. C. §. Turnbull, proprietors. Music sheet, the 
“Mercer House Medley.” N.Y. Sarony and Major, 1848. 


247. MEXICAN WAR, 1847. Four colored lithographs by 
N. Currier of scenes in the Mexican War (one in duplicate). 
4to. 1847. 


248. MILBERT’S LITHOGRAPHS OF NEW YORK. View 
of the City of New York taken from Brooklyn Hills. Lithog. 
par J. Milbert. Imp. de C. Motte. 4to. ca. 1825 

This and the six following lots are ORIGINAL IMPRESSIONS 
of the VERY RARE LITHOGRAPHS drawn by MILBERT about 
1825, with the titles and superscriptions in English only, 
later impressions having them in English, French, Ger- 
man, ete. The special value of these views, besides their 
artistic value, is in their being the only existing represen- 
tations of the Bronx, Harlem, and parts of Upper New 
York at this period. 


249, ——— Front View of the Fortifications of Harlem near 
the City of New York. Litho. de C. Motte. 
The Block House on the Bloomingdale Road. 


250. —— McCombs Bridge Avenue. Litho. de Mlle. For- 
en. rhertits 
251. View of the Fall on Bronx River, Lydich’s Mill, 


West Farms. Litho. de Mile. Formentin. 


252. (Second view, of the River Harlem. Litho. de 
——~ Mile. Formentin. Gj” 
253. ——- Mr. Vah Den Heuvel’s Country Seat. Litho. de : 
C. Motte. i 


Broadway, 78th to 79th Street. Site of the Apthorp 
Apartment House. 


254. View of Lydick’s Mill and House on Bronx River, 
. West Farms. Litho. de Mile. Formentin. 


26 


oa 
tet 
Se eas 


sg 


209. MILBERT’S LITHOGRAPHS. TITLES IN ENG- 
LISH, FRENCH, ETC., 1828. Interior of New York, Pro- 
vost Street and Chapel. Winter scene. Figures par Victor 
Adam. Litho. de Bove. 


View at West Broadway and Franklin Street. India 
Proof. 


256. —— Another impression of the same. Print. Litho. 
de Ligny Freres, instead of Bove. Laid down on card. 


257. Pierpont’s Distillery on Long Island. Figures par 
V. Adam. Litho. de Ardit. India proof. 


258. View of New York taken from Weahawk. Litho. 
de Bove. India proof, laid down on ecard. 


209. —— A folio sheet containing four views: New York 
facing the South, Falls of Niagara, Western canal near the 
Little Falls of the Mohawk, and Little Falls of the Mohawk. 
J. Milbert, del. et lith. 


260. MORNINGSIDE HEIGHTS. Pencil drawing of the 
wood (and a portion of Leake and Watts’ Orphan Asylum) on 
the site now occupied by the Cathedral of St. John the Divine. 
Unsigned. 334 x 7 inches. ) 


261. MUSIC SHEET VIEWS. ‘Two different of Central 
Park 1863; Tammany Hall with portrait of W. M. Tweed, 1870; 
Fifth Avenue Hotel; Interior of Castle Garden, 1858; Fire- 
men’s Monument, Greenwood Cemetery. (6) 


262. NASSAU STREET. Facsimile of the rare line en- 
geraving by W. Burgis (1731) of the New (or Middle) Dutch 
Church. Folio. Only a limited number printed. 


263. Nur Drawing of Nassau Street showing the 


Middle Dutch. Church, and the buildings at the corner of 
Liberty et; \ Unsigned and undated. ca. 1840) 
y SURE Ya | 


g the church before its conversion into the Post 
Office. 


264. —— Pastors of the Collegiate Reformed Dutch Church: 
Portraits of W. C. Brownlee, John Knox, Thomas De Witt and 
Thos. E. Vermilye, with view of the Middle Dutch Church, 
Nassau Street, in the centre. Lithograph by C. and W. Endi- 
cott, drawn by C. Parsons. Folio. Slightly stained, n. d. 

(ca. 1840) 


265. OLD POST OFFICE, LIBERTY AND NASSAU. 
STS. Photograph of a drawing by N. H. Potter, showing the 
converted Middle Dutch Church without the steeple. A rare 
view. 


266. NASSAU STREET. The Old Post Office. Chromo- 


lithograph. 8vo. ca. 1850 
27 


AAU 


oS” 


ow 


267%. NASSAU STREET. Ackerman’s, 101-103 Nassau 
Street. Lithograph by Sarony and Major. 8vo. (ca. 1846) 


At the time of the publication of the lithograph the firm 
were sign and banner makers, but they were also pub- 
lishers of many Old New York prints. Interesting and 
scarce view of an old decorated house. 


268. NATIONAL THEATRE (WALLACK’S).  Water- 


color drawing of the National Theatre, signed “Bengough, 
fecit.” 4to. 


A well-executed drawing showing the Theatre as in the 
lithograph by Louis Haghe (the next lot) with fewer fig- 
ures and slight differences in the houses in the side streets. 


National Theatre. J. W. Wallack, Lessee. (Church 


269. 


and Leonard Streets.) Lithograph by Haghe and Day, from a | 


drawing by R. Bengough. 4to. n. d. (ca. 1840) 


SCARCE. ; 


270. NEW AMSTERDAM. Novum AmstTerDAM. EN- 
GRAVED VIEW, WITH THE LEAF OF LETTERPRESS ON WHICH IT 
IS PRINTED, EXTRACTED FROM Oa@ILBy’s AMERICA, 1670. 

A VEBY RARE EARLY VIEW. 


271. —— The same print cut from the letterpress. 


R72. THE SAME VIEW EXTRACTED FROM THE GERMAN 
EDITION OF MonTANUS, 1683, WITH THE LEAF OF LETTERPRESS 
ON WHICH IT IS PRINTED. 


273. ———CNieu Amsterdam een stedeken in Noord Ameri- - 


_—Tkaes, eter ving on copper by Prrer ScHENCK, 1700. 4to. 


“ANOTHER BARE EARLY VIEW OF NEw York. 
Fe 


av4. NEW Y, 1733. Views of New York (the Popple 
View, 1733), Queb¢c, Mexico City, and Niagara Falls (Henne- 
pin’s View), e ved on two folio sheets, and colored by hand. 
VERY SCARCE IN THIS UNDIVIDED FORM. 


2”5. THE SOUTH PROSPECT OF THE OITY OF 
NEW YORK IN AMERICA. Rare early copper engravin3, 


1, showing the whole extent of the City from the East River. 


Shipping in the river. The print trimmed close and inlaid, 
and a trifling repair in the upper right corner. 


276. THE SOUTH PROSPECT OF THE CITY OF NEW 
YORK IN NORTH AMERICA. Engraved for the London 
Magazine, 1761. Mounted on card. 


It has often been stated that these two views are two 
states of the same plate, the only difference being that 
one has “North” in the title, while the other omits it. 
This, however, is not the case. The second engraving 
is a very close copy of the first, but with enough differences 
to show that it is a distinct engraving. The first again 
is a copy of the very rare Bakewell view of New York 
in 1746. Both, therefore, really show the City as it was.in 
1746. 


28 


277. SOUTH WEST VIEW (A) OF FORT GEORGE 
WITH THE CITY OF NEW YORK. Copper engraving. 8vo. 
ca. 1760. Scarce. 


Destroyed in 1790 and the Federal Building erected on 
part of its site. 


278. SOUTH WEST VIEW (A) OF THE CITY OF NEW 
YORK IN NORTH AMERICA. Drawn on the spot by Capt. 
Thomas Howdell. Engraved -by P. Canot. Line engraving. 
Colored. Folio. Damaged. [ca. 1768. ] 


279. —— Copper engraving reduced of the same. 8vo. 
(London, ca. 1768) 


280. A VIEW OF NEW YORK, GOVERNOR’S ISLAND, 
THE RIVER, ETC., FROM LONG ISLAND. Copy of the 
preceding design with the addition of the landing of the British 


troops shown, and a few other additions. London, 1776. 
Both this and the preceding based on the engraving by 
Canot. 


281. NEW YORK, ABOUT 1790. Lithograph View, show- 
ing North River water front from Battery north, by Geo. Hay- 
ward. Obl. fol. mounted. 


282. NEW YORK IN 1792. Lithograph View of the vicinity 
of Mount Pitt, looking towards the East River. By Geo. Hay- 
ward. Obl. fol. mounted. 


The original drawing, thought to be by St. Memin, is in 
the New York Historical Society. 


283. OLD POST OFFICE, corner of Nassau and Cedar 
streets, showing sign of F. S. Winston & Co. INpIA PROOF 
BEFORE LETTERS, mounted. FINE AND RARE. 


°284. NEW YORK MAGAZINE VIEWS. A view of the 
present seat of his Excel. the Vice-President of the United States. 
Trepout, del & Sculp. (S. E. Cor. Charlton and Varick Sts.) 


This and the following eight numbers are all ORIGINAL 
IMPRESSIONS OF THE ENGRAVINGS FROM THE RARE NEW YORK 
MAGAZINE. Some are a little foxed as usual, but are diffi- 
cult to obtain in any state. In some cases they are the only 
views of the objects or places represented, and in most 
cases are the first engravings. 


285. —— A View of the Monument at Sandy Hook. J. An- 
derson, del C. Tresout, Sculpt. 

286. —— A View of Hell Gate. W. Barr, delin. Tirsovurt, 
Sculp. 

287. A View of Belvidere House. J. ANpERSON, del. 


I. Sconzs, sc. (New York’s First Country Club, 1795, in the 
block now bounded by Montgomery, Clinton, Cherry and Monroe 
Streets. ) 


288. ——— Government House. Scouss, del. & Sc. 
29 


cv y 


289. NEW YORK MAGAZINE VIEWS. View of the 
Lighthouse at Sandy Hook. Anderson, del. TreBouT, Sculp. 
(Shght piece torn from blank margin.) . 


290. A View of St. Paul’s Church, New York. J. An- 
derson, del. Scouss, sculp. 


eal; Perspective View of the Federal Edifice in the City 
of New York. (Ti1rpout, sc.) Shghtly damaged and backed. 


292. —— View of Columbia College in the City of New 
York. Anderson, del. TiErBoutr, Sculp. 


293. VIEW OF THE CITY OF NEW YORK FROM 
LONG ISLAND. (Drawn and Etched by St. Memin, 1796.) 
Photo-etching of the extremely rare original. Large folio. 


294. ST. MEMIN’S PANORAMA OF NEW YORK. [A 


/ View of the ¢ ity of New York from Brooklyn Heights, in 1798, 
r Dy B. Julien de St. Memin, with a pantograph invented 


by him —Published by M. Dripps from an original drawing 
now in the possession of J. C. Brevoort, Esqr., of Brooklyn. 
Woodcut, n. d. (ca. 1850.) Engraved surface 57 in. in length. 


A BEAUTIFUL IMPRESSION OF THE RARE ORIGINAL ISSUE 
[reissued in 1861 for Valentine’s Manual]. 


295. The issue for Valentine’s Manual, 1861. A few 
additional identification names were added at the bottom to this 
issue, and about one inch of the extreme right was cut off. 


296. SCHOONER (A) WITH A VIEW OF NEW YORK. 
Domk. Serres, del. J. Clark & J. Ramble, sculp. Published by 
Edwd. Orme, 1807. AquaTINT ENGRAVING. 4to. Fine impres- 
sion. 


297. NEW_YORK HOSPITAL. Broadway between Duane 
and Worthystreets. “Woodcut view on the front page of the First 
Report of ‘ge Hospi T'wo leaves folio. (179i) 


ne Report gives a short history of the building. 
p nna was laid in 1775, but when nearly com- - 


 Aandw&&#he building was occupied by the soldiers 
as barrache, In 1791 it was opened as a Hospital, and 
remained in constant use until 1869, when it was pulled 
down. 


298. View of the New York Hospital. Engraved by 
Leney. John R. Murray, delin. Sm. 4to. (1811) 


299. NEW YORK. G. T. inyt. Hall, se, Published 31 Oct., 
1805, by J. Gold (London). 8vo. AQuATINT. 


300. VIEW OF NEW YORK FROM THE WEST. The 
Battery, etc. Outline engraving by Neele and Son. (From 
Phillips’ Collection of Voyages, 1809.) 8vo. ae ? 


30 


“paired at edg 


301. NEW YORK TAKEN FROM THE NORTH WEST 
ANGLE OF FORT COLUMBUS, GOVERNOR’S ISLAND. 
From a Sketch by F. Catherwood, Esq. Ene. By Henry Papp- 
RILL. Henry I. Megarey. AQUATINT PRINTED IN COLORS. 
Large oblong folio. Framed. 

THE EXTREMELY RARE ORIGINAL ISSUE. ONLY TWO OTHER 
ORIGINAL COPIES KNOWN. 

Frederick Catherwood was the English painter who ac- 
companied F. L. Stephens in his travels among the Aztec 
ruins in Central America, and drew the illustrations that 
were printed in the descriptive volumes, This copy of 
the print was shown at the recent exhibition of New York 
views where the date of 1820 was ascribed to it. 

Besides its value as an early and rare view of the City, it 
has equal value as a work of art, being one of the most 
attractive aquatints published. 


302. —— Another impression of the same. Uncolored. 


303. NEWYORKS HAMN och REDD Fran Brooklyn pa 
Longisland. Gr. af \Alerell. “Rit. af Klinckowstrom. Oblong 
folio. Aguatinr. ) (Stockholm, 1824) 


A view of NorkCity and Bay from Brooklyn. A 
VERY FINE IMPRESSION AND* VERY RARE. The designer trav- 
elled in America, 1816-1818, and the aquatint was made 
from his drawing. - 


304, BROADWA -gatan och Radhuset i Newyork. Graf. af 
Akrell. Rit faf Khinckowstrom. Oblong folio. AQuarint. 
; (Stockholm, 1824) 


} 
VERY nang By the same artist as the preceding. The 
view of Broadway is taken from City Hall Park looking 
shown byt is interesting not only from the buildings 


shown; but as a realistic picture of the condition of the 
principal’ highway of the City in the early part of the 
19th century. It will be noticed that pigs are running 
wild in the streets. Many figures in costumes, and car- 
riages appear. 


305. NEW YORK FROM HEIGHTS NEAR BROOKLYN. 
Colored Aquatint by J. Hill from a drawing by William G. Wall. 
Large folio. 1823. VERY FINE ORIGINAL IMPRESSION WITH 
LARGE MARGINS. 


One of the series of Wall’s views, now very rarely met 
with. 


306. NEW YORK FROM GOVERNOR’S ISLAND. 
(From the Hudson River Portfolio.) Painted by William G. 
Wall, ENGRAVED IN AQUATINT BY J. Hitt. CoLorep. Large 
folio. Rare. N. Y.: Published by H. I. Megarey and trans- 


ferred to G. & C. & H. Carvill, n. d. 


A Particularly Rare Series of Views. 


MAR(K)ET, engraved by Balch, 
er C. A. Busby). 16mo, mounted, neatly re- 
NDIA PROOF. Circa 1825 


31 


Rawdon & Go, 


308. CITY HALL STAIR-CASE. Engraved by Balch, 
Rawdon & Co., after C. A. Busby. 16mo. Mounted. Ex- 
TREMELY RARE. Circa, 1825 


309. COLUMBIA COLLEGE. Park Place. Engraved by 
Balch, Rawdon & Co. (after C. A. Busby). 16mo. Mounted. 
INDIA PROOF. A Circa 1825 


310. BROOKLYN — Fulton Street. Engraved by 
Balch, Rawdon & Op. (after C. A. Busby). 16mo. Mounted. 
INIA ‘PROOB: Circa 1825 


311. PARK oy tee Engraved by Balch, Rawdon & Co. 
(after C. A. Bushy), 16mo. Mounted. Inpra Proor. Circa 1825 


312. NEW YORK HOSPITAL. Broadway, near Duane St. 
Engraved by-Balch, Rawdon & Co. (after C. A. Busby). 16mo. 
Mounted (lacks side and top. margins). INDIA PROOF. 

Circa 1825 


313. FREE SCHOOL NO. 1. Engraved by Balch, Rawdon 
& Co. (after C. A. Busby). 16mo. Mounted. Inpra PROOF. 
EXTREMELY RARE. Circa 1825 


314. FULTON MARKET. Engraved by Balch, Rawdon & 
Co. (after C. A. Busby). 16mo. Mounted. InprIa PROOF. 
Circa 1825 


315. INTERIOR -OF THE PARK THEATRE. Engraved 
by Balch, Rawdon & Co. (after C. A. Busby). 16mo. Mounted, 
slightly stained. INDIA PROOF. Circa 1825 


316. NEW YORK FROM WEEHAWK. Colored Aquatint. 
Painted by W. G. Wall. Engraved by J. Hill. N. Y. Bourne, 
359 Broadway, and transferred to G. O. & H. Carvill. Large 
folio. Framed. 


VERY FINE IMPRESSION, THE COLOR PERFECTLY PRINTED. 
VERY RARE. Many of the views of the City from Weehawk 
published about this date and shortly after were copied 
from or based on this view, owing to its picturesqueness 
and fidelity. 


317. NEW YORK MIRROR VIEWS. Lafayette Theatre. 
Laurens St. near Canal St. Engraved by James Eddy.. 4to 
(foxed). 1827 


318. Bowery Theatre. A. J. Davis, del. Rawdon, 
Wright & Co., engravers. 4to. (The second Bowery Theatre.) 
1828 

319. City Hall. Drawn by A. J. Davis. V. Balch, 
sculpt. 4to. 1828 
320. Columbia College. Davis, del. V. Balch, sc. 4to. 


1828 
32 


— eee eee 


al i 


321. NEW YORK MIRROR VIEWS. St. Thomas’ Church, 
Broadway. Drawn by A. J. Davis. Rawdon, Wright & Co., sc. 
1829 


B22. s, No. 1. Park Row, 1830 (showing 
the Park Theatre). Drawn by C. Burton. Engraved by W. D. 
Smith. 4to. 


323. Street Views, No. 2. Wall Street. C. Burton, del. 
W. Hoogland, se. 4to. 


304. View of Bowling Green. Drawn by Davis. V. 
Balch, se. Ato. 1830 
3205. Bay and Harbour of New York from the Battery. 
C. Burton, del. W. D. Smith, sc. (Showing Castle Garden, 
etc.) 4to. 1830 
326. —— Public Buildings in the City of New York. Drawn 


by A. J. Davis. Engraved by W. D. Smith. (Views of the 
Middle Dutch Church, Brick Meeting, North Church, South 
Dutch, Murray St. Presbyterian, and Wall St. First Presby- 
terian.) 1830 


oe”. St. John’s Chapel from the Park, 1829 (repaired) ; 
Lunatic Asylum, and Trinity Church. (3) 


328. Old City Hall, in 1789; Institution for the Instruc- 
tion of the Deaf and Dumb; North Battery, foot of Hubert 
St. (3) 


329. Bay and Harbour from Staten Island; New York 
from Brooklyn Heights; New York from Jersey City; New 
York from Bedlow’s Island. (4) 


330 Bowery Theatre; St. Thomas’ Church; St. John’s 
Chapel from the Park. (3) 


331. NEW YORK FROM BROOKLYN. Drawn and en- 
graved by T. Hornor (sic). Printed by Wm. Neale. Etching. 
n. d. Large oblong folio. Framed. 

EXTREMELY RARE. ONLY THREE OTHER COPIES KNOWN. 
T. Horner, the etcher, also engraved the rare view of 
“Broadway from the Hygeian Depot,” published in 1836. 
This plate was probably executed about the same date or 
a little later. The etching was first printed in a light 
green ink, and the foreground and middle colored by 
hand afterwards in varied tints. 

The City is shown from a little above the Battery to 
about Canal Street. The East River is crowded with ship- 
ping among which are old types of Ferry Boats and Steam- 
ships and a wooden war vessel. Possibly some pardonable 
pride in the City has caused the artist to emphasize the 
buildings, as the City Hall, the numerous churches, and 
other public buildings stand out most prominently. The 
view includes the other side of the Hudson, the New Jersey 
shore line, rocky and wooded with scarcely a building. 


33 


332. VUE DE NEW-YORK. Uranie Ledoux, sculp. A. 
André, del. Etching, n. d. (ca. 1830) 
A view taken from Weehawken, and of Interest as being 

etched by a woman. 


333. NEW-YORK. Lithograph highly colored, from Wee- 
hawken, showing the southern extremity of the City and the 
Bay. Probably of German execution. n. d. Sm. 4to. 

: (ca. 1830) 


334. NEW YORK. Music sheet “New York. O What a 
Charming City.” Written and composed by I. A. Gairdner. 
N. Y. Bourne, n. d. (ca. 1830). Containing a vignette litho- 
graph by Pendleton of New York City from Weehawken. 


BBD; ‘Pribt Be FROM WEEHAWK. Drawn by A. J. 
Davis. ted y M. Williams, No. 49 Sullivan Street, New 
Yorks Lemond ts: coLoreD. Folio. n.d. (ca. 1830) 
( A WERY EARLY IMPRESSION without the name of painter 
\ or publisher. The view is taken from the heights of Wee 
\. hawken as in similar views of this period, but in the fore- 
‘ground is a hunting party seated—two sportsmen and two 

dogs. RARE. 
336. NEW YORK. (View from Weehawken.) Drawn by J. 
Dupree. Engraved and printed by Fenner, Sears & Co. 8vo. 
INDIA PROOF. _— London, 1831 


337. WEEHAWKEN. Copper engraving (for the Ladies’ 
Companion). 8vo. Cine a distant view of New York City 
N. Y., ca. 1885 


338. NEW YORK FROM BROOKLYN. Music sheet htho- 
graph, giving a view of New York across the East River. By 
a French artist “F. Porrieu.” In the foreground is seen a coun- 
try cart drawn by a yoke of oxen. Sm. 4to. Paris, ca. 1835 


339. [NEW YORK FROM BROOKLYN HEIGHTS.] 
Painted by J. W. Hill. Engraved by W. J. Bennett. Pub- 
lished, N. Y. 1837 

THE FIRST STATE, the pure etching only, with a pencilled 
addition of a ship, no doubt by J. W. Hill for the engraver 
to work in. : 

THE ONLY KNOWN COPY. 


340. NEW YORK. Copper engraving about 1840, showing 
the Battery and a little above, within a broad scroll frame. 
Oval 4to. ca. 1840 


341. PANORAMIC VIEW OF NEW YORK TAKEN 
FROM THE NORTH RIVER. Drawn and engraved by Robert 
Havell. Printed by W. Neale. Published by Robt. Havell, 
Sing Sing, New York, and Wm. A. Colman, 203 Broadway. 
AQUATINT PRINTED IN coLors Very fine bright original im- 
pression. . Long 4to. Framed. 1844 


VERY RARE. Robert Havell was an English artist en- 
gaged by Audubon to engrave the drawings for his Birds 
of America, and while in this country painted and en- 
graved several American views. 


34 


Se ee ee a eee 


a a es, 


7 


a ve Del s yt ae 
a > i 


a eee ee 


342. PANORAMIC VIEW OF NEW YORK FROM THE 
EAST RIVER. Painted and engraved by Robert Havell. Pub- 
lished by Robert Havell, Sing Sing, N. Y. W. A. Colman, 
203 Broadway. AQUATINT PRINTED IN coLors’ Very fine 
bright original impression. Long 4to. Framed. 1844 


COMPANION TO THE PRECEDING AND EQUALLY RARE. 


343. NICHOLS’ VIEWS OF NEW YORK. The Hall of 
Records; Post Office (Middle Dutch Church); Deaf and Dumb. 
Asylum; Bellevue Hospital; Receiving and Distributing Reser- 
voir; Custom House; Bowhng Green Fountain; New York from 
Governor’s Island; The Merchant’s Exchange (second building). 
The last in duplicate. Drawn or engraved by F. B. Nichols, 
(10) 1847 


*SCARCE AND DESIRABLE. 


044, NEW YORK AND ENVIRONS FROM WILLIAMS- 
BURGH. Drawn from Nature and Lithographed by E. W. 
Foreman and EH. Brown, Jr., New York. Printed by Sarony 


and Major. ‘Tinted lithograph. Large folo. Framed. 1848 


EXTREMELY RARE, ONLY ONE OTHER COPY KNOWN. Wil- 
liamsburgh has a semi-rural look, being mainly small 
houses with gardens, extending along the shore. In the 
river are two famous old’ steamers, the “C. Vanderbilt” 
and the ‘“‘Bay State.” The drawing represents New York 
City as very flat, and the view extends to Brooklyn (show- 
ing a considerable portion of the city), Jersey, the Nar- 
rows, etc. 


345. NEW YORK FROM STATEN ISLAND. Sketched 
and Drawn on-Stone by C. W. Burton. Printed by Sarony and 
Major. NEW YORK FROM STATEN ISLAND AND 
BROOKLYN CITY. (By the same.) THE TWO VIEWS LITHO- 
GRAPHED ON ONE SHEET. Folio. Framed and glazed. (1849) 


EXTREMELY RARE IN ANY STATE, and unique in this 
undivided condition. 


346. NEW YORK. Steel engraving—colored—by Capewell 
and Kimmel, 365 Broadway. A bird’s-eye view. 8vo. ca. 1850 


347. NEW YORK, 1855, FROM THE LATTING OB- 
SERVATORY. Drawn by B. E. Smith. Engraved by W. Wel- 
stood. Line engraving. Very large folio. Framed. 


The view commences at 42d Street with the Reservoir 
and Crystal Palace in the immediate foreground and ex- 
tends to the Narrows. Vacant land is seen in 42d Street, 
Fifth Avenue and the neighborhood. Brooklyn is a small 
town, and Jersey City practically does not exist, only a 
scattered house or two being seen amid trees and rocks. 


3848. NEW YORK. General Views of City, eng. by Archer 
Maverick and Neagle (3); Castle Garden, by Gilbert after 
Burton ; Clinton Hall; rare litho of City Hall Park, ete. Scarcr 
fie ee) 

349. Distant view of New York from the Bay, etc. Two 
woodcuts on one sheet. Unsigned. 4to. n.d. INDIA PROOF 

35 


350. NEW YORK AND ENVIRONS. Line engraving by 
H. Kupfer, N. Y. Printed by H. Peters, N. Y. A bird’s-eye 
view showing New York City, Brooklyn, Jersey City, ete., in- 
cluding a distant view of Long Island Sound. n. d. (1867) 


351. NEW YORK CITY. The Business Centre of the 
Borough of Manhattan. Photogravure from a painting by R. 
W. Rummell. Published by Moses King. Very large folio. 

1905 


352. NEW YORK HARBOR WITH BROOKLYN BRIDGE. 
Chromo-lithograph by Andrew Melrose. Large folio. (Tear on 
one side repaired.) n. d. (ca. 1900) 


353. MISCELLANEOUS NEW YORK VIEWS. Wall 
Street at the Stock Exchange, 1882, colored lithograph by 
Hughson and Hawley; New York und Umgegend, 1867, line 
engraving by Kupfer (damaged); Chickering’s Piano Ware- 
rooms and Music Hall, Fifth Ave and 18th St., photo-litho- 
graph by Rockwood. 3 pieces, folio. 


354, New York from Staten Island, eng. by Poppel; 
New York, by Maverick and Wall; Orr’s engraving establish- 
ment, 75 Nassau; Stationer’s Hall, 245 Pearl; Old N. Y. Post 
Office; N. Y. Crystal Palace, PRINTED IN OIL COLORS BY GOUPIL 
(ca. 1855) ; the First Delmonico’s; Burns’ Coffee House, 1760; 
Lafayette Theatre; Clews’ Banking House, 1865 (30-32 Wall 
St.) ; 345-347 Broadway, [FINELY EXECUTED PENCIL DRAWING], 
etc. Woodcuts and engravings. Some proofs on India, and 
includes some rare plates. (123) 


355. NEW YORK ORPHAN ASYLUM. Pencil Drawine 
by Philip Doane. A view looking across the river, a railroad 
with a very early type of locomotive, in the foreground. 8vo. 


356. NEW YORK THEATRICAL PLAYBILLS. Purdy’s 
National Theatre, 1856, New Year’s Festival; Park Theatre, 
Dec. 26, 1874, 100th performance of J. T. Raymond as Col. 
Sellers, with portrait on satin; Poole’s Theatre, 8th and Broad- 
way, Inaugural performance of W. J. Scanlan, Sept. 6, 1886, on 
satin; Miner’s Fifth Avenue, Initial Performance Dec. 23, 1890 
(Night of Fire), Fanny Davenport in Sardou’s Cleopatra, on 
satin; Broadway Theatre, April 20, 1890, annual entertainment 
of the Treasurer’s Club, on satin; Gala Performance in honor of 
Prince Henry of Prussia at Metropolitan Opera House, 1902, 
on satin. (6) 


357, Playbills and programmes, various dates of Niblo’s 
Garden, the Olympic, Fox’s American Theatre, etc., some cut 
down. (38) 


358. NIBLO (WILLIAM). Seven plates illustrative of New 
York’s Early Dramatic History. (Portrait of Niblo, View of 
the Garden 1828, ete.) 8vo. 


Printed on Japan paper. 100 copies issued. 
36 


; a, 

YLD BUSINESS ESTABLISHMENTS, VIEWS, ETC. 

eet | ollection of over 400 views of Old Buildings, 

, Street , Ni Business Establishments, etc., mainly be- 
dwling Green and-42nd St., gathered from advertise- 

menis, posters, newspaper woodcuts, "pill-heads , advertising cir- 
“culars, and every other possible source. N eatly arranged (main- 
ly in card portfolios) according to the streets. From the com- 
mencement of the 19th century to the present day. 


. 0) f c “A REMARKABLE COLLECTION, THE RESULT OF MANY YEARS 


Vv 
LABOR AND SEARCH, NO DOUBT INCLUDING NEARLY EVERY EX- 
ISTING VIEW OF MANY FAMOUS OLD BUSINESS HOUSES. 


360. OLNEY (J.). New and Improved School Atlas. 4to, 
wrappers. With a small engraved view on the last map of New 


York. Hartford, 1831 
3861. ON THE EAST RIVER. Line engraving by Leney. 
Printed by Davis. 8vo. ca. 1801 


362. PARK ROW. Park Theatre—Park Row (Tammany 
Hall in the distance). Drawn and engraved by H. Fossette. 
8vo. 1832 


PEABODY vIEW. India proof. 


363. PARK THEATRE. A View of the New Theatre in 
New York. J. ALLEN, sc. TispALE, Delin. Copper engraving. 
Oblong 8vo. (From Longworth’s New York Directory: for 
1797.) 

Rare. The Theatre was not erected as shown owing to 
a want of funds, but in a much plainer style, and opened 
in 1798. Although preceded by the John Street Theatre, 
and a yet earlier one, the history of the American Stage 
practically commences with the “Old Park.” In it acted 
George Frederick Cooke, Edmund Kean, J. W. Wallack, 
Junius Brutus Booth, Charles Mathews, etc. It was de- 
stroyed by fire in 1820, but a new one was erected on 
the same site. 


364. PEABODY’S VIEWS. Views in the City of New York 
and its Environs. Historical, Topographical and Critical Illus- 
trations by Theodore 8. Fay. ‘Twenty-six engraved views by 

7 vakin, Davis, and others; with the descriptive letterpress and 
wrappers to parts I to IV (comprising sixteen of the plates). 
A few of the plates foxed. Nay 2lesl-32 

*VERY RARE. The views—which were drawn expressly 
for this publication—include Broadway, Bowling Green, 
Shot Tower on the East River, Leroy Place, City Hotel, 
Washington Institute and City Reservoir, Coffee House Slip, 
Park Theatre and Row, Pearl Street House and Ohio Hotel, 
Broad Street, Webb’s Congress Hall, Holt’s New Hotel, 
ete. The engraved title page is in duplicate, one being 
an India proof. ONE OF THE BEST AND MOST CHARACTERISTIC 
SERIES OF VIEWS OF OLD NEW YORK EVER ISSUED. 


365. PEARL STREET. United States Hotel, 178-180 Pearl 
St. Lithograph b J. Davis, printed by Laperr. Descriptive 
note beneath. ~ 7 fine impression with untrimmed margins. 


Folio. / ; 1 n.d. (ca. 1830) 
7 3 


366. PECK SLIP. Old House cor. Peck Slip and Water St. 
Etching by Henry Farrer, 1870. Sm. 4to. Rare. 


367. PENNELL (JOSEPH). Lithographs of New York by 
Joseph Pennell. Battery Park; Broadway from Bowling Green; 
“Broadway Towers”; etc. COMPLETE SET OF TWELVE, each A 
SIGNED PROOF. Published by the Iconophile Society. Folio. 

*ONLY 125 SETS PUBLISHED AND STONES DEFACED. 


368. PHOTOGRAPHS. Chambers and Hudson Sts. (1896) ; 
Coenties Slip; Old Buildings W. 43rd. Construction of 8th 
Ave. beyond 100th St.; the same of 6th Ave north of Central 
park, and others. (13) 


3869. PLAYBILLS. Various Cities. Robinson’s Eagle Thea- 

tre, Boston, benefit of W. J. Florence, Aug. 1853; Peale’s . 
Philadelphia Museum, 1846, Mary Taylor in the cast; Mrs. John 
Drew’s Arch St. Theatre; Mrs. D. P. Bowers’ Walnut St. Thea- 
tre, 1859; Facsimiles of British Revolutionary playbills, Phila., 
1778, etc. (22) 


370. PURDY’S NATIONAL THEATRE. Tinted litho- 
graph, unsigned, giving a view of the Theatre, a view of the 
City from the river, and character portraits of S. Purdy, Junius 
Brutus Booth, Barney Williams, Charles Burke, G. L. Fox, and 
“Jim Crow” Rice. Drawn in the form of a rebus. 4to. 

n. d. (ca. 1853) 


Known originally as the Chatham Square Theatre, then 
changed to the National Theatre on the burning of Wal- 
lack’s “National,” and finally Purdy’s. JosrpH JEFFERSON 
MADE HIS FIRST APPEARANCE IN NEW YORK AT THIS THEATRE 
IN 1849, AND LIKEWISE EpWIN Bootnu, the latter appearing 
here for the First Time AS RicHArD III. Chanfrau and 
many other famous old New York players also acted here. 


3871. RHINELANDER SUGAR HOUSE. Liberty St. (site 
of the Mutual Life Building.) Warrer coLor DRAWING by L. 
Oram, signed. n. d. ca. 1876 


The building was constructed by the Cuyler family, New 
York merchants, in 1763, and bought by the Rhinelanders 
on their failure. It was only destroyed in 1892. Tradi- 
tion states that during the Revolution the British used it 
as a prison and as a riding school. 


372. ST ALPHONSUS CHURCH. South Fifth Avenue 
near Canal. Lithograph by Hatch and Co. F. G. Himpler, 
Architect. Folio. 

On the site of the Lafayette Theatre. 


373. ST. JOHN THE EVANGELIST CHURCH. Cor. 
Waverley Place and Eleventh St. ORIGINAL WATER-COLOR 
pRAwiInG By A. J. Davis. 414 x 7 in. 


874. ST. JOHANNES KIRCHE & ACADEMIE. Litho- 
graph by F. Heppenheimer. Drawn by P. M. Moeller. 4to. 


38 


375. ST. MARK’S CHURCH, 1827. Second ave and Tenth 
Street. A.J. Davis; Architect. On Stone by J. B. Kidd, 8. A. 
Bufford’s aR 12m soe St., N. X¥.° Folio. Framed. 


THEH« WN copy. The Hast River is seen behind 
the Murch? and en fields lie between. Founded in 1791, 
the : 


h rebuilt in 1799, and the spire added in 

18 The Hikog tanh was no doubt printed about the pe 
riod of the construction of the spire. 

e970, mt. PAUGS CHAPEL. J.B. Forrest, del. J. N. 

GIMBREDE, sc. Line engraving on LARGE PAPER. 4to. (ca. 1830) 


3877. S HOMAS’ CHURCH. Northwest cor. of Broad- 
way an on. VERY FINE ORIGINAL WATER-COLOR by A. J. 
_ Dhy Davis and Brady, Architects.) 14 x 7 in. 


The church was erected in 1823, and the drawing is, no 
doubt, the original elevation made for the building. Show- 


ey ing the front and south side. 


378. Another WATER-COLOR DRAWING, also by A. J. 
Davis, showing the front and north side. 8x10 in. 


379. SCHULTZ’S VIEWS. Photogravure reproductions from 
photographs of the Brooklyn Bridge (two different), Coenties 
Slip, Fulton Ferry and South Street, Grand Central Depot, 
Washington Bridge, and, the High Bridge and Harlem River. 
Folio. INDIA pROOFs. (7) 


380. SEVENTY-FOURTH STREET. Orphan Asylum 
(74th St. and Riverside Drive). Tinted lithograph from nature 
by G. Hayward. 4to. n. d. (ca. 1830) 


381. SHERMAN SQUARE. Junction of Boulevard and 
Amsterdam Avenue. Photograph, 1883. Showing ey 
empty fields and a few frame houses. 


382. SKY LINE OF NEW YORK SEEN FROM THE 
HUDSON RIVER. Published by the Lehigh Valley R. R. 
Albertype. Long 4to. 1900 


383. SPORTING. Humorous Colored Lithograph by Cur- 
rier and Ives, 1869, showing the trotting stables of Hiram 
Woodruff, and in the foreground several fast trotters racing by, 
their owners in several cases in trouble either with their steeds 
or their trotting machines. Drawn by Thomas Worth. Large 
folio. Very Rare. 


Woodruff’s Stables was the starting place of the many 
road races that took place in the sixties and seventies, in 
which Commodore Vanderbilt and Robert Bonner were two 
of the principal competitors. The drivers in this picture 
are probably portraits, but the apprehension on their coun- 
tenances prevents clear recognition. 


384. SQQUATTER SETTLEMENT 1888. 94th St. West 
End Avenue and Riverside Drive. Photograph from Nature. 
4to. 


39 


nad 


385. STATE PRISON. Elevation of the New York State 
Prison. Copper engraving by Gilbert Fox. Drawn by Joseph 


F. Mangin. Oblong 8vo. 1801 
Facing the Hudson River between Christopher and Perry 

Streets. 
386. Southeast View: New York State Prison. Cop- 


per engraving by Hoogland, 1814. J. R. Smith, del. 8vo. 


387. STEWART (A. T.). Fashion Plate, the background 
giving a view of the Stewart Building, Broadway and Chambers 
St. COLORED LITHOGRAPH. Folio. ca. 1850 


388. TALLIS’ VIEWS. Steel engraved views pub. by Tallis. 
St. Paul’s; City Hall; and, New York from Weehawken. 4to. 
(3) London, ca. 1840 


389. TANNER (BENJAMIN). Certificate of the “General 
Society of Mechanics and Tradesmen. ENGRAVED By TANNER, 
DRAWN BY C. CANADA and PRINTED BY SAMUEL MAVERICK. 
With a view of the Mechanics’ School and Apprentice’s Library.” 
A stéamboat in the distance is probably the “Robert Fulton.” 
FoRo. 


Rn a 


The certificaté is-fifled in with the name of Stephen Allen, 

Ses and witneSsed/ by J Hopson—and™ Robert Boyd, with the 

“etetiitures of ‘the two latter, dated Dec. 8, 1823. Stephen 

¢Allen was Mayor of New York in 1821-22, and Robert Boyd 

“ was a well-known citizen, identified with many charitable 

undertakings. Outside its New York interest, the certifi- 

cate is interesting as a specimen of early American en- 

graving, having probably been originally engraved and 
printed about 1792. 


390. THIRFEENTH ST. Pencil drawing-signed and dated 
“C. E. Cobb, April 30, 1846,” of the Git¥ Reservoir in 13th St. 
near 4th Avenue, and showing | also”the garden of Lindley Mur- 


eae VERY FINE ated IMPRESSION WITH FULL MARGINS. 


ray’s house anid. the wooden*8teeple of Trinity Church. 8vo. 


FheeréServoir was built by the city in 1832 to furnish 
water in cases of fire, and was supplied by a steam pump 
from a well on the site of the present Jefferson Market 
Court House. 


391. THIRTY-THIRD AND THIRTY-POURTH Se. 
New York Institution for the Blind. Ninth Avenue and 33-34th 
Sts. Lithograph by J. Bornet, ca. 1850. CoLoReEn. 


Proof. Apparently the ONLY KNOWN ONE IN THIS STATE. 


392. THIRTY-FOURTH STREET. Photograph of the 
N. W. cor. of 34th St. and Fifth Avenue, showing the Townsend 
House razed for A. T. Stewart’s mansion. | 


393. THIRTY-FOURTH STREET AND NINTH AVE- 
NUE. The Institution for the Blind. CoLoRED LITHOGRAPH, 
about 1850. Unsigned and unnamed. VeErRy RARE. 4to. 


* 40 


394. THROGG@’S NECK, WESTCHESTER COUNTY. 
(Entrance of Long Island Sound.) Dr. Anderson’s, Throgg’s 
ece, W.on., N. Y., 1828.. J. R. Brady, Archt. Lithograph 
showing a. building overlooking the entrance of the Sound. 
Title in writing. 4to. n.d. 


395. TRINITY CHURCH. Photograph from the rear, by 
G. P. Hall & Son, also showing some of the buildings in Broad- 
way. 4to. 


396. TWENTIETH STREET. Church of the Holy Com- 
munion (20th St. and Sixth Avenue). Upjohn, Archt. Litho- 
graph by Ackermann, N. Y. 4to. 


397. UNION LEAGUE CLUB. Presentation of Colors to 
the 20th Regt. by the Union League Club. Photograph of a 
water-color by E. L. Henry, 1869. 4to. 


The Union League Club then occupied the Jerome House, 
Madison Avenue and Twenty-sixth Street, which is very 
clearly shown, with the adjacent buildings, in the photo- 
graph. 


3898. UNION SQUARE. Church of the Puritans, note- 
worthy for the pastorate of the Rev. G. B. Cheever from 1846 to 
1870. WATER-COLOR DRAWING (front elevation), signed “J. 
Renwick, Jun. Architect.” Folio. 


No doubt the architect’s own drawing, as the Church is 
shown ay a steeple, which was never added. 


drawn ti ae N. Y. 1849. 


showin thre Park id surrounding buildings, including 
the Church of the Puritans, celebrated by the ministry of 


| i the Rey. G. B. Cheever, and the Spingler Institute. A little . 
ny above the junction of Broadway are open fields. Fo tio. 
SCARCE. 


400. ? 
gartner, 1852, on music sheet of “Union Park Schottish.” 4to. 


Showing nearly the whole of the square, the Church of 
the Puritans, etc. SCARCE. 


401. —— Collegiate Institute for Young Ladies. Rev. Gor- 
ham D. Abbott, principal. The Spingler Institute, Union Park. 
(Painted and engraved) by James Smillie. (Showing also the 


Church of the Puritans.) 4to. INDIA PROOF 


402. Engraved view by Gimbrede after Calyo, showing 
the top of the Reservoir in 13th St. 8vo. 


RSITY OF THE CITY OF NEW YORK. 
By A. J. Davis.) With part of . Washington 


41 


404. UNIVERSITY OF NEW YORK. WASHINGTON 
SQUARE. Diploma printed on parchment, containing an en- 
graved view of the University. Signed by Valentine Mott, 
T. Frelinghuysen, G. 8. Bedford, J. W. Draper, and James 
Tallmadge, but the name of the student left blank. Degree of 
Doctor of Medicine, 1842. 


405. VALENTINE’S MANUALS. Views from Valentine’s 
Manuals, 1849-55. (New York in 1787, Old Rie Five 
Points, No. 1 Broadway, etc.) 41 pieces. 


406. —— Views from the Manuals, 1856-59. 40 pieces. 
407. —— Views from the Manual, 1860. (59) 
408. —— Views from the Manuals, 1861-66. (64) 

eee —— Views from Shannon’s Manuals, 1868-70. About 


410. VIEW OF EAST RIVER OR SOUND, taken from 
Riker’s Island, with a distant view of the seat of Joshua Wad- 
dington, Esq. Copper engraving by P. MAveERIox. 

Newark (ca. 1815) 


411. VIEW OF THE HARLEM RIVER, THE HIGH- 
BRIDGE IN THE DISTANCE. Lithograph by Currier and 
Ives. From Nature and on stone by F. F. Palmer. Folio. 


412. VUES DE L,AMERIQUE DU NORD. Litho de En- 
gelmann pere et fils. A SERIES OF THREE SHEETS WITH VIEWS 
oF New York, WEsT Pornt, Boston, VIRGINIA, AND THE FALLS 
OF NIAGARA, EACH VIEW SEPARATED BY A GROUP OF TREES AND 
ROCKS, BUT BE RMING A CONTINUOUS PICTURE. n.d. (ca. 1835) 
| \ NOWN COPY OF THE COMPLETE SET. This 


graph was evidently designed to form a circle, 
esierr at the extreme right is continued at the com- 


ee ACY, e left. The first view seen is New York 
LAD ES en from MWeghawken, showing the City and Bay to the 
Narrows} e pleasure parties are in the foreground, 

including/a group of negroes in fashionable dress; next — 


view of West Point, with cadets parading; then 
ja view /of Boston from the harbor, evidently based on a 
older print; Virginia, the Natural Bridge in the 
background, a group of Indians in the left performing a 
native dance, and to the right a railroad on which runs a 
coach filled with at least twenty passengers and drawn 
by a single horse; and, finally, a view of Niagara, in 
which the artist evidently had Hennepin’s view in his 
mind; in the foreground a steamer approaching the Falls. : 
The lithograph measures (the printed surface) 474%x9%4 
inches, 


“42 


413. WALL STREET. Manhattan Company: Act of In- 
corporation, N. Y., 1799; A Cheque of the Manhattan Com- 
pany signed by J oseph Metzler: Queries to the Superintendent 
of the Manhattan Water-Works and his Answers, folio broad- 
sheet sha? graphed by John Lozier. Three pieces. 


Tie Manhattan Company was formede ‘ime 1799 to bring 
water from the Bronx to"the*fiétises of New York, but con- 
tented themselves with tapping the Collect Pond. Pre- 
viously water had been supplied to the City in casks and 
from pumps in the street supplied by various springs, the 
Manhattan being the first to lay wooden pipes in the 
streets. 


a +414. WALL STREET ABOUT 1828. Contemporary 

ia lithograph, partly colored, showing Wall Street from the corner 

road Street to Broadway, with the Old Custom House, 

econd Trinity Church (razed in 1839), the First Presby- 

erian Church (founded 1719, and in which George Whitfield 

- preached), and other buildings. pe cias Cut close and some 
rs repairs in the sky. Framed. 


STATED TO BE THE ONLY KNOWN COPY. 


a , 415. WALL STREET. The Merchant’s Exchange. Oric- 
a INAL DRAWING By A. J. Davis. Unsigned. 7 x 8 in. 


apd ei - eat. 
ne Fe Se 
LA ea ee 


416. Exchange. (The Merchant’s Exchange.) M. E. 
Thompson, Archt. Drawn by A. J. Davis. Engraved by J. 
Yeager. 12mo. (From Goodrich’s Picture of New York, 1828.) 


a ae The Merchant’s Exchange. Drawn by C. Burton. 
= Engraved and printed by Fenner, Sears & Co. 8vo. INDIA 
PROOF. London, 1830 

418. Music sheet, “Buy a Broom,” sung by Madame 


Vestris. Containing a lithograph portrait of Madame Vestris 
in character, standing in Wall Street, with the buildings from 
Nos. 18 to 30 shown, including the Phenix Bank and the estab- 
lishment of the publisher. Ato. n. d. (ca. 1828) 

In the basement of the second house to the right of the 


Bank (No. 20) THE FIRST NUMBER OF THE NEW YorK HEr- 
ALD was issued by James Gordon Bennett in 1835. 


419. Old Bank of the U. S. Wall St., 1830. Martin E. 
pe Benson, Architect. OrtaINAL DRAWING in India ink. 4to. 


WITH A WRITTEN NOTE AT BOTTOM BY A. J. Davis, who 

drew many of the well-known engravings of Old New York, 

ee that the building is ill proportioned, and stating that it 

wy should have been as per outline (a penciled outline is 
added at the top). 


420. Elevation of 50 Wall St. (Jones’.) WaATER-COLOR 
DRAWING, signed I TOWN—A. J. Davis. 
ae 


421. WALL STREET. New York Merchant’s Exchange. 
I. Rogers, Architect. William C. Kramp, Architect and 
Lithographer. Published New York, 1837. Folio. 


A VERY RARE VIEW. NO OTHER PRINT BY THIS LITHOGRAPHER 
IS KNOWN, SO FAR AS CAN BE ASCERTAINED. 


422. Custom House now building in the City of New 
York, January, 1837. John Frazer, Architect and Superin- 
tendent. Lithograph giving elevation, ground plan, section, 
and facade. Small tear repaired. 

Now the Sub-Treasury. 


423. WALTON HOUSE. 328 Pearl Street, Franklin Square. 
Simon Backus (proprietor). A. J. Davis, del. Lithograph by 
IMBERT. Folio, VERY FINE IMPRESSION WITH LARGE MARGINS. 

SCARCE The Walton House was built by Capt. William 
“Walton in 2754, who amassed great wealth in trading voy- 

wages to the West Indies and South America. At the time 

of itS“érectfOn it. was the most magnificent mansion in 

/ New; York, and legend states that the lavish entertain- 
ments of its owner caused the British Government to im- 

pose the Stamp Act as a means of diverting some of the 

ee arently immense wealth of the colonists. It became a 

“hotel, as shown in this print; later, a boarding house for 
eatiahe: finally, a tenement dwelling, and was pulled down 
in 1881. The Walton family owned the shipyards on the 
East River, and built many fast. privateers that success- 
fully preyed on British commerce. 


424\) INGTON INSTITUTE. North side of 13th St. 
between /srd and 4th Avenues. Lithograph by PENDLETON. 
Avis, del. With leaf of letterpress stating terms, etc. 

(ca. 1830) 


425. WASHINGTON SQUARE, WITH PARADE OF THE 
SEVENTH’ REGIMENT. From abe Original Picture in the 
possession of Major Botticher. On stone by C. Gildemeister. 
Printed by/ Nagel and Weingaertner. Cotorep. Large folio. 

\ Framed. ~ 1852 
atl Showing the University building, etc. The portraits of 


the officers are reproduced from Dhovaer ape A VERY 
SCARCE PRINT. 


426. WASHINGTON (GEORGE). Washington’s First 
Interview with his Wife. Engraved by G. R. Hall after J. W. 
Ehninger. OrtatnaL Impression, 1863. Large folio with 


margins. . 
427%. WILLIAM STREET. “The Rigging House,” 120 
William. Lithograph by H. R. Robinson. Folio. ~~ 1846 


BELIEVED TO BE THE ONLY KNOWN COPY OF THIS RARE PRINT. 
Below the view is descriptive letterpress:. “Here Metho- 
dism was first rigged out in the port of New York and 
Started on her prosperous Voyage in North America; this 
rigging house, now the last relic of the Old Dutch archi- 
tecture of New Amsterdam, will soon be among the things 
that were. . . . Here Philip Embury exhorted, and here 
Capt. Webb of the British Army in his scarlet regimentals 
preached,” etc. 


44, 


428. WINTER SCENE IN BROADWAY. Scene d’Hiver 
dans Broadway. Painted by H. Sebron. Engraved by P. 
Girardet. Printed by Goupil. Published by M. Knoedler, 
N. Y., Oct. 1, 1857. Large folio. 


An interesting picture of New York at this period. The 
scene is opposite the Old Chinese Building, which Buck- 
ley’s Minstrels then occupied; nearly next door is the Old 
Prescott House, recently torn down; in the street a fire 
engine, drawn by hand, the fire captain, blowing his trum- 
pet, is hastening in reply to an alarm, and a prominent 
ek is one of the old passenger sleighs drawn by six 

orses. 


429. MISCELLANEOUS. Interior and Exterior of the 
Merchant’s Exchange (1835), on one sheet with letterpress. 
Eng. by Archer (Prsapopy views) ; PEABopy views of the Shot 
Tower, Hudson River from Hoboken, and Interior of the.Mer- _ 


ehani’s Exchange ; POPPEL’s view of ‘N. Y. from Staten Island. 


430. The Duke’s Plan (cotorEeD); Broadway Views; 
First Steam Cordage Works in America, South St., N. Y. (re- 
print), etc. Mostly folio. (18) 


431. —— Etching by J. M. Falconer of the destruction of 
the North Dutch Church ; Title-page to Kalm’s Travels with min- 
jature views of N. Y., Philadelphia, ete. View of the Old Post 
Office, InpIA PROOF woodcut; Incendie de New York after Le 
Barbier; 33 John St. about 1812, by Maverick; Orphan Asylum 
and Speyer’s Brewery (site of the Cathedral of St. John the 
Divine) ; etc. (23) 


432. Declaration of Independence, eng. by Buttre; 
Capture of André after Durand by Jones (poor impression) ; 
Inauguration of Washington; New York Streets (a chapman’s 
ballad, ca. 1800) ; Téte-a-téte portrait of the American Financier 
and Miss P—-—; and various other engravings. (42) 


Includes a portrait on India paper of Wm. Mitchell, the 
' famous early proprietor of the Olympic Theatre, 1837-1850. 


433. Various American Views: Mahopac Lake, Hudson 
River Views, Saratoga by Maverick and Inman, Distant View of 
Schenectady, Otsego Lake, Lower Falls of Solomon’s Creek by 
Yeager, Beck’s Shot Tower near the Schuylkill by Birch, Devon 
(Pa.) by the same, Barclay’s Iron Works, Saugerties, by the 
same, etc. A few duplicates. Over 100 pieces. 


hg ‘ F 

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